Michelle Grabner

Untitled, 2016 ⌀121.9cm37500 USD

Details

Material

flashe, gesso on canvas

Description

Human-crafted. AI-refined.

This abstract artwork features a captivating circular composition in shades of black and gray. The intricate patterns, created by meticulously arranged dots, evoke a sense of movement and depth, drawing the viewer's eye into the center of the piece. The artist's skillful use of texture and minimalist approach create a visually striking and meditative work. This piece likely reflects the artist's exploration of the relationship between form, light, and the viewer's perception, inviting contemplation on the nature of perception and the visual experience. ...

Similar Artworks

Donna GottschalkMaine self-portrait, 1975850 EUR

Mira Schor'Power' Figure #2: Rubbing/Book, 201515000 EUR

Zineb SediraD'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 202115000 EUR

Marnie WeberThe Dancing Beaver, 2009Price on Request

Adelaide CioniTwo Blue Ones, 2024Price on Request

Donna GottschalkYoung Lesbian, Provincetown, 19743500 EUR

Altoon SultanTop Cylinder, 2023Price on Request

Pipilotti RistIris, the Enlightened Granddaughter (light blue yellow), 2022Price on Request

Teresa GierzyńskaWaiting III, 1989Price on Request

Kiki SmithSpiral Nebula (Large), 2017Price on Request

Artist

Michelle Grabner

B.1962, American

Michelle Grabner is a multidisciplinary artist known for her meticulous, process-oriented approach to abstraction. Active since the early 1990s, she has conducted an enduring investigation into the intricacies of patterns and repetitive formations. While her artistic methodology shares affinities with historical antecedents, particularly those that delve into the complexities and paradoxes of originality, her work surpasses mere replication or tribute, thereby challenging conventional notions of sameness and uniformity. Her handcrafted gestures emphasize the subtle variations that exist among objects, visual images, and other forms of representation. In her practice, Grabner explores what could be described as "unstable Similitude"—a concentration on the attribute of similarity that still allows for distinct experiential nuances. This concept is akin to how daily routines can appear externally consistent, while each occurrence evokes a unique set of sensory and emotional responses. Her affinity for grid-based compositions stems from a reflective study of behavioral patterns and social conditions, which includes feminist inquiries into the historical lineage of textile arts and the traditions of pattern creation. ...