SCHERM D'ANALISI CON FIGURA E ATTREZZO

Sergio Sarri

SCHERM D'ANALISI CON FIGURA E ATTREZZO, 1974100 x 90cmSign in to view price
Details
MaterialGallery
acrylic on canvasFitzpatrick Gallery
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking visual composition blending digital and analog elements. The color palette combines bold blues and fiery oranges, creating a dynamic interplay of hues. The two square images on the top showcase contrasting perspectives - one captures an abstract, glitched-out close-up, while the other depicts a menacing power tool. The lower section features two analog gauges with needle indicators, adding a sense of technical precision to the overall piece. The artist's intention seems to explore the intersection of technology, industry, and the human experience, inviting the viewer to ponder the relationship between the digital and the physical realms. ...

Similar Artworks
Blätzli) Floorpiece from the Herrenzimmer
Heidi Bucher
Blätzli) Floorpiece from the Herrenzimmer, 1978
82 x 82 x 4cm
Purple Sage (Hybrid) - Salvia leucophylla
Sean Raspet
Purple Sage (Hybrid) - Salvia leucophylla, 2021
Untitled
Heidi Bucher
Untitled, 1985
18 x 25 x 4cm
Deep Sea Danger
Mike Kuchar
Deep Sea Danger, 2018
76 x 57cm
Grande Albergo Brissago (Entrance)
Heidi Bucher
Grande Albergo Brissago (Entrance), 1987
382 x 732 x 90cm
Atomic Utopia
Mike Kuchar
Atomic Utopia, 2024
61 x 45.5cm
Filter (Physcomitrium patens: patchoulol synthase-(+), linalool synthase-(+))
Sean Raspet
Filter (Physcomitrium patens: patchoulol synthase-(+), linalool synthase-(+)), 2015
50.8 x 5.1 x 17.8cm
Untitled
Joan Jonas
Untitled, 2003
41 x 31cm
Orange Noah Morning Glory #2
Sean Raspet
Orange Noah Morning Glory #2, 2021
Psychiatrische Anstalt in Kreuzlingen - Schloss Bellevue - Türe
Heidi Bucher
Psychiatrische Anstalt in Kreuzlingen - Schloss Bellevue - Türe
225 x 100cm
Homosapien
Mike Kuchar
Homosapien, 2018
76 x 56.5cm
Ma non cerco abbastanza
Ketty La Rocca
Ma non cerco abbastanza, 1964
48 x 66cm
Le mie parole e tu?
Ketty La Rocca
Le mie parole e tu?, 1973
35.5 x 13cm
Omens and Wishes
Mike Kuchar
Omens and Wishes, 2018
81.5 x 62cm
Title unknown
Heidi Bucher
Title unknown, 1985
30 x 30 x 2.8cm
Finland
Billy Al Bengston
Finland, 1986
213.36 x 182.88cm
Reanimation performance drawings (Landscape Drawings)
Joan Jonas
Reanimation performance drawings (Landscape Drawings), 2016
The Four Seasons - A Benefit Painting of the  Hyde Park Art Center
Roger Brown
The Four Seasons - A Benefit Painting of the  Hyde Park Art Center, 1974
127 x 127cm
Myofbrillar Tissue Scaffold (Piscine)
Sean Raspet
Myofbrillar Tissue Scaffold (Piscine), 2024
81.3 x 10.2 x 10.2cm
Contouring
Sophia Al Maria
Contouring, 2017
24 x 42cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
Sergio Sarri
Artist
Sergio Sarri
B.1938, Italian

Towards the end of the 1950s, Sergio Sarri embarked on a journey to Europe where he pursued painting courses in Bern and Paris. Following his visit to the United States in 1965, Sarri's artistic research circled around the relationship between man and machine, eventually becoming a prevalent theme in his oeuvre. His passion for comics prompted him to publish comic stories under the pseudonym SeSar in magazines like ‘Corto Maltese’, ‘Heavy Metal’, and ‘Comic Art’ during the late 1980s. Sarri's fascination with technology and progress led to his production of paintings that resembled science-fiction film posters from the late 1970s. One of Sarri's works, ‘Il Grande Robot (1979), bears a striking resemblance to Futura, the android from Fritz Lang's 1927 film ‘Metropolis’. The incorporation of materials such as plastic wire, aluminium strips, and padded synthetic leather on Sarri's canvases contribute to the interplay between reality and fiction. In his piece ‘Fase 4, esecuzione’ (1975), these materials are used to create the image of a body suspended from ropes, imparting an abstract and sculptural quality to the work. ...

Sergio Sarri: Artworks
SCHERM D'ANALISI CON FIGURA E ATTREZZO
Sergio Sarri
SCHERM D'ANALISI CON FIGURA E ATTREZZO, 1974
100 x 90cm
Manometro A
Sergio Sarri
Manometro A, 1973
100 x 81cm
Studio per Segnali
Sergio Sarri
Studio per Segnali, 1972
60 x 50cm
Fitzpatrick Gallery
Gallery
Fitzpatrick Gallery
Paris

Established in 2020, Fitzpatrick Gallery is focused on an international program of curated projects in site-specific venues worldwide, and on-site exhibitions at their primary location in Paris, inaugurated in September 2021 in the Marais gallery district at 123 rue de Turenne. They are involved in every level of production with their represented artists, working in close collaboration with institutions, publishing houses, advisory firms, and other partners. Fitzpatrick Gallery builds on the legacy of Freedman Fitzpatrick which was established in 2013 with locations in Los Angeles and Paris. ...

Unlock Price & Inquiry Access