in between

Tada Hengsapkul

in between, 202229.7 x 42cmSign in to view price
Details
Material
smoke bomb on watercolor paper
Description
Human-crafted. AI-refined.

This abstract artwork features a dreamy, ethereal palette of warm yellows and soft, hazy blues. The composition is characterized by organic, amorphous shapes and splatters of color that create a sense of movement and energy. The use of photographic techniques, such as blurring and light distortion, lends the piece a dreamlike quality, evoking a sense of the subconscious or the natural world. The artist's intention may have been to explore themes of impermanence, the ephemeral nature of existence, or the interplay between chaos and order within the natural world. ...

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Tada Hengsapkul
Artist
Tada Hengsapkul
B.1987

Working across a range of diverse media, Tada Hengsapkul investigates the tensions between control and dissent, establishing his practice as a mode of radical resistance in itself. First reaching critical acclaim for his photographic and video works, Hengsapkul’s oeuvre has long been underscored by extensive political research. Engaging with official archives, informal discourse, and popular media, he has sharply addressed the themes of nationalism, democracy, and military control. Though grounded in political history, his works are also intimately autobiographical, often citing personal relationships and sites from his hometown in Northeast Thailand that were affected by war and authoritarian power. In recent years, Hengsapkul has pivoted towards a dynamic abstract approach, combining en-plein-air and pyrotechnic methods. Employing smoke bombs, fireworks, and gunpowder, the works allude to its materials’ centrality in global protest culture, forming provocative yet melodic imagery. Despite the variance of his chosen materials, his practices is united in their advocacy for freedom and agency. Hengsapkul’s works ultimately extend beyond their roots in Thailand and its history, maintaining universal relevance in a contemporary landscape where censorship and omission are becoming increasingly rampant. ...

Tada Hengsapkul: Artworks
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
In between
Tada Hengsapkul
In between, 2023
76 x 57.5cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
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