Topography

Tada Hengsapkul

Topography, 202358.5 x 40 x 4.5cmSign in to view price
Details
Material
smoke bomb, watercolor paper, rivet aluminum, paulownia wood
Description
Human-crafted. AI-refined.

The artwork showcases a vibrant and captivating display of colors, utilizing a grid-like arrangement of circular shapes. The composition is meticulously structured, with a gradual progression from cool blues and greens to warm tones of red, orange, and yellow, creating a visually striking and harmonious spectrum. The artist has employed a distinct technique, utilizing small, uniform circles to build the overall visual pattern, which evokes a sense of rhythm and repetition. This artwork likely explores the interplay of color theory and the emotive power of hues, aiming to provoke a response in the viewer through its mesmerizing and harmonious visual display. ...

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Tada Hengsapkul
Artist
Tada Hengsapkul
B.1987

Working across a range of diverse media, Tada Hengsapkul investigates the tensions between control and dissent, establishing his practice as a mode of radical resistance in itself. First reaching critical acclaim for his photographic and video works, Hengsapkul’s oeuvre has long been underscored by extensive political research. Engaging with official archives, informal discourse, and popular media, he has sharply addressed the themes of nationalism, democracy, and military control. Though grounded in political history, his works are also intimately autobiographical, often citing personal relationships and sites from his hometown in Northeast Thailand that were affected by war and authoritarian power. In recent years, Hengsapkul has pivoted towards a dynamic abstract approach, combining en-plein-air and pyrotechnic methods. Employing smoke bombs, fireworks, and gunpowder, the works allude to its materials’ centrality in global protest culture, forming provocative yet melodic imagery. Despite the variance of his chosen materials, his practices is united in their advocacy for freedom and agency. Hengsapkul’s works ultimately extend beyond their roots in Thailand and its history, maintaining universal relevance in a contemporary landscape where censorship and omission are becoming increasingly rampant. ...

Tada Hengsapkul: Artworks
in between
Tada Hengsapkulin between, 2022
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
29.7 x 42cm
in between
Tada Hengsapkulin between, 2022
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
29.7 x 42cm
in between
Tada Hengsapkulin between, 2022
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
29.7 x 42cm
in between
Tada Hengsapkulin between, 2022
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
29.7 x 42cm
in between
Tada Hengsapkulin between, 2022
29.7 x 42cm
in between
Tada Hengsapkulin between, 2023
76 x 57.5cm
in between
Tada Hengsapkulin between, 2023
76 x 57.5cm
In between
Tada HengsapkulIn between, 2023
76 x 57.5cm
in between
Tada Hengsapkulin between, 2023
76 x 57.5cm
in between
Tada Hengsapkulin between, 2023
76 x 57.5cm
Topography
Tada HengsapkulTopography, 2023
58.5 x 40 x 4.5cm
Topography
Tada HengsapkulTopography, 2023
58.5 x 40 x 4.5cm
Topography
Tada HengsapkulTopography, 2023
58.5 x 40 x 4.5cm
Topography
Tada HengsapkulTopography, 2023
58.5 x 40 x 4.5cm
Topography
Tada HengsapkulTopography, 2023
58.5 x 40 x 4.5cm
Topography
Tada HengsapkulTopography, 2023
58.5 x 40 x 4.5cm
Topography
Tada HengsapkulTopography, 2023
58.5 x 40 x 4.5cm