Topography

Tada Hengsapkul

Topography, 202358.5 x 40 x 4.5cmSign in to view price
Details
Material
smoke bomb, watercolor paper, rivet aluminum, paulownia wood
Description
Human-crafted. AI-refined.

The artwork showcases a vibrant and captivating display of colors, utilizing a grid-like arrangement of circular shapes. The composition is meticulously structured, with a gradual progression from cool blues and greens to warm tones of red, orange, and yellow, creating a visually striking and harmonious spectrum. The artist has employed a distinct technique, utilizing small, uniform circles to build the overall visual pattern, which evokes a sense of rhythm and repetition. This artwork likely explores the interplay of color theory and the emotive power of hues, aiming to provoke a response in the viewer through its mesmerizing and harmonious visual display. ...

Similar Artworks
Painting
Raindrop Nursery
Korakrit Arunanondchai
Raindrop Nursery, 2022
218.4 x 162.6cm
Moving Images of Stones on the Island_November
Aracha Cholitgul
Moving Images of Stones on the Island_November, 2023
47.4 x 62.2 x 3.5cm
Inside him now the landscape is empty with everything, his hair waves between summer and autumn, silent through the woods. (Amnesia)
Cole Lu 呂咅彧
Inside him now the landscape is empty with everything, his hair waves between summer and autumn, silent through the woods. (Amnesia), 2024
87.6 x 50.8 x 7.6cm
Positive Energy
Prae Pupityastaporn
Positive Energy, 2021
28 x 36cm
Painting with history in a room filled with people with funny names 3
Korakrit Arunanondchai
Painting with history in a room filled with people with funny names 3, 2015
60.96 x 139.7cm
War of Perception
Moving Images of Stones on the Island_August
Aracha Cholitgul
Moving Images of Stones on the Island_August, 2023
47.4 x 62.2 x 3.5cm
In the Garden
Prae Pupityastaporn
In the Garden, 2016
130 x 150.5cm
Painting/Practice (Old Holland Blue Deep (B217), vertical line in vertical shape)
Latthapon Korkiatarkul
Painting/Practice (Old Holland Blue Deep (B217), vertical line in vertical shape), 2023
59 x 39.5cm
Painting
My Mother and I: The Composers in the Machine
Kawita Vatanajyankur
My Mother and I: The Composers in the Machine, 2024
Sad Leaders Power Play
Bo Choy 蔡寶賢
Sad Leaders Power Play, 2020
23.6 x 42cm
Middle of the Night
Prae Pupityastaporn
Middle of the Night, 2020
60 x 47cm
He woke up in the same position with the little machine in his palm. His mother pointed at the different parts, explaining their functions. The rods were called hands and chased around the clockface in step with time. The little boy nodded, knowing, for his kind, time was an aberrant thing, a human thing. It didn't belong here. (Sleep)
Cole Lu 呂咅彧
He woke up in the same position with the little machine in his palm. His mother pointed at the different parts, explaining their functions. The rods were called hands and chased around the clockface in step with time. The little boy nodded, knowing, for his kind, time was an aberrant thing, a human thing. It didn't belong here. (Sleep), 2024
91.4 x 61cm
Donde llueve y se desborda
Daniel Otero Torres
Donde llueve y se desborda, 2024
21.5 x 16.5cm
LDR - Mountain Scroll
Aracha Cholitgul
LDR - Mountain Scroll, 2021
425.5 x 43cm
Leaves
Aracha Cholitgul
Leaves, 2019
69 x 3.5 x 1.5cm
un/folding in
Los trazos del mar
Daniel Otero Torres
Los trazos del mar, 2023
195 x 130cm
Untitled
Prae Pupityastaporn
Untitled, 2017
150.5 x 180cm
Series 9
Latthapon Korkiatarkul
Series 9, 2019
25.5 x 19 x 4cm
How to grow a garden that blooms all year round
Korakrit Arunanondchai
How to grow a garden that blooms all year round, 2022
218.4 x 162.6cm
Nathan Road, where the spirits told me
Bo Choy 蔡寶賢
Nathan Road, where the spirits told me, 2020
23.6 x 42cm
Second Place
Prae Pupityastaporn
Second Place, 2023
83 x 97cm
LDR - Moving Mountain No.2
Aracha Cholitgul
LDR - Moving Mountain No.2, 2021
At the border, when his mother describes the nature of love, all they heard was the sound "bar bar bar.” (The Black Sun)
Cole Lu 呂咅彧
At the border, when his mother describes the nature of love, all they heard was the sound "bar bar bar.” (The Black Sun), 2022
10.2 x 15.2 x 0.6cm
Los abrazos del vient
Daniel Otero Torres
Los abrazos del vient, 2023
230 x 165cm
The Carrying Pole
There's a word I'm trying to remember for a feeling I'm about to have (a distracted path towards extinction)(rat cycle of life)
Korakrit Arunanondchai
There's a word I'm trying to remember for a feeling I'm about to have (a distracted path towards extinction)(rat cycle of life), 2016
Tessellated Self
Daria Koltsova
Tessellated Self, 2023
675 x 315 x 15cm
Painting
Tada Hengsapkul
Artist
Tada Hengsapkul
B.1987

Working across a range of diverse media, Tada Hengsapkul investigates the tensions between control and dissent, establishing his practice as a mode of radical resistance in itself. First reaching critical acclaim for his photographic and video works, Hengsapkul’s oeuvre has long been underscored by extensive political research. Engaging with official archives, informal discourse, and popular media, he has sharply addressed the themes of nationalism, democracy, and military control. Though grounded in political history, his works are also intimately autobiographical, often citing personal relationships and sites from his hometown in Northeast Thailand that were affected by war and authoritarian power. In recent years, Hengsapkul has pivoted towards a dynamic abstract approach, combining en-plein-air and pyrotechnic methods. Employing smoke bombs, fireworks, and gunpowder, the works allude to its materials’ centrality in global protest culture, forming provocative yet melodic imagery. Despite the variance of his chosen materials, his practices is united in their advocacy for freedom and agency. Hengsapkul’s works ultimately extend beyond their roots in Thailand and its history, maintaining universal relevance in a contemporary landscape where censorship and omission are becoming increasingly rampant. ...

Tada Hengsapkul: Artworks
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2022
29.7 x 42cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
In between
Tada Hengsapkul
In between, 2023
76 x 57.5cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
in between
Tada Hengsapkul
in between, 2023
76 x 57.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Topography
Tada Hengsapkul
Topography, 2023
58.5 x 40 x 4.5cm
Unlock Price & Inquiry Access