You only ever loved my tongue, held my lips with forceps, blood on your teeth
You only ever loved my tongue, held my lips with forceps, blood on your teeth
You only ever loved my tongue, held my lips with forceps, blood on your teeth
You only ever loved my tongue, held my lips with forceps, blood on your teeth
You only ever loved my tongue, held my lips with forceps, blood on your teeth
You only ever loved my tongue, held my lips with forceps, blood on your teeth

Tahir Karmali

You only ever loved my tongue, held my lips with forceps, blood on your teeth, 2024189.23 x 108.2cmSign in to view price
Details
MaterialGallery
nylon, wood, metal joists, iron oxide, polyurethane, blood, saliva, power mesh, and gessoManagement
Description
Human-crafted. AI-refined.

This abstract composition features a striking interplay of colors and textures. The canvas is divided into distinct sections, with a soft, muted palette of beige and pink contrasted by an intense yellow band running vertically through the center. The overall effect is one of subtle, yet captivating, visual tension. The artist's use of a mesh-like material adds an intriguing tactile quality to the work. This piece likely reflects the contemporary artist's exploration of the relationship between color, form, and materiality in a minimalist style. ...

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You only ever loved my tongue, held my lips with forceps, blood on your teeth
Artist
Tahir Karmali
B.1987, Kenyan

Tahir Karmali’s work moves fluidly across photography, sculpture, papermaking, and sound, confronting themes of migration, labor, identity, and colonial legacies. He investigates everyday materials and objects, revealing the hidden histories and socio-political forces embedded within them. Karmali’s works often transform these materials into objects of beauty that carry complex narratives of displacement, bureaucratic control, and labor, inviting viewers to confront the layers of human experience that underlie seemingly ordinary surfaces. His process emphasizes both conceptual rigor and material sensitivity. Through careful manipulation, layering, and reconstruction, Karmali uncovers the tension between form and meaning, permanence and fragility. The resulting works oscillate between the intimate and the monumental, combining aesthetic allure with social critique. By engaging with materials that carry historical and cultural weight, Karmali’s practice foregrounds questions of power, memory, and identity, creating spaces where viewers can reflect on personal and collective histories. His work continually examines how individual and systemic narratives intersect, offering a nuanced meditation on contemporary life shaped by migration, labor, and the enduring traces of colonial influence. ...

Management
Gallery
Management
New York City

Management is a contemporary art gallery operating in the heart of New York’s Chinatown since October 2021. The gallery represents diverse emerging artists and focuses on realizing ambitious, original presentations that challenge and complicate dominant trends and discourses within contemporary art.