Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)

Evelyn Taocheng Wang 王伊芙苓韜程

Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin), 2023195 x 195 x 2.5cmSign in to view price
Details
MaterialGallery
calligraphy ink, mineral colour, tea water, book binding glue, and oil on linenCarlos/Ishikawa
Description
Human-crafted. AI-refined.

The artwork features a large, white grid-like structure that dominates the composition. The grid is composed of numerous small rectangular sections, creating a sense of order and minimalism. The overall aesthetic is visually striking, with the stark white background and the clean, geometric lines of the grid. The subject matter appears abstract, with no recognizable elements or symbols. The artist's use of this methodical, grid-like technique suggests a focus on the exploration of form, structure, and the relationship between space and visual perception. The context of this piece likely reflects the artist's interest in the intersection of art, mathematics, and architecture, aiming to challenge the viewer's perception and engage them in a contemplative experience. ...

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Evelyn Taocheng Wang 王伊芙苓韜程
Artist
Evelyn Taocheng Wang 王伊芙苓韜程
B.1981, Dutch

Working in drawing, installation, performance, video and photography, Evelyn Taocheng Wang creates works that explore notions of immigration, belonging, gender and class politics. She approaches such topics with a sense of lighthearted humour and poetry, deeply contextualised by the references from centuries of art history and literature. Her works present a case of traditional Chinese calligraphy and paintings meeting art-historical “Dutchness” and “Germanness”, a combination that follows the artist’s personal migration history and identity. Wang’s practice traces a continuous questioning of the notion of authenticity: she puts “fake” Chinese authenticity stamps on her rice drawings; and she does not conceal linguistic mistakes and corrections. The seemingly established structures become penetrated by the constellation of perspectives coming from “being in the middle” of East and West. ...

Evelyn Taocheng Wang 王伊芙苓韜程: Artworks
Puzzle Game With Different Objects Indicate Women's Tragedy Future
Evelyn Taocheng Wang 王伊芙苓韜程
Puzzle Game With Different Objects Indicate Women's Tragedy Future, 2017
180 x 96cm
Someone Mysterious Hung Herself Up Among Towers
Evelyn Taocheng Wang 王伊芙苓韜程
Someone Mysterious Hung Herself Up Among Towers, 2017
180 x 96cm
Who is going to burn my love-affair Mirror?!
Evelyn Taocheng Wang 王伊芙苓韜程
Who is going to burn my love-affair Mirror?!, 2017
180 x 96cm
Untitled-Platypus, Divisionism, Proletariat
Evelyn Taocheng Wang 王伊芙苓韜程
Untitled-Platypus, Divisionism, Proletariat, 2013
75 x 340 x 60cm
A Female Grasshopper Shits Behind A Fake Hill
Evelyn Taocheng Wang 王伊芙苓韜程
A Female Grasshopper Shits Behind A Fake Hill, 2017
30 x 21cm
A Female Grasshopper Shits Behind A Fake Hill
Evelyn Taocheng Wang 王伊芙苓韜程
A Female Grasshopper Shits Behind A Fake Hill, 2017
180 x 96cm
Dolphin and Russian Young Man in Kitchen
Evelyn Taocheng Wang 王伊芙苓韜程
Dolphin and Russian Young Man in Kitchen, 2021
98 x 197cm
Eight View of Oud-Charlois, No.2
Evelyn Taocheng Wang 王伊芙苓韜程
Eight View of Oud-Charlois, No.2, 2019
63.7 x 123.5 x 5cm
Eight View of Oud-Charlois, No.4
Evelyn Taocheng Wang 王伊芙苓韜程
Eight View of Oud-Charlois, No.4, 2019
63.7 x 123.5 x 5cm
Evening Painting Class of Dutch Window
Evelyn Taocheng Wang 王伊芙苓韜程
Evening Painting Class of Dutch Window, 2021
70 x 70 x 2cm
Heinemann and Rotterdamer Bush
Evelyn Taocheng Wang 王伊芙苓韜程
Heinemann and Rotterdamer Bush, 2021
60 x 80 x 3cm
Posing for Banner of Tunnel Security Woman, No. 1
Evelyn Taocheng Wang 王伊芙苓韜程
Posing for Banner of Tunnel Security Woman, No. 1, 2019
42 x 31.5cm
Untitled - Platypus, Divisionism, Proletariat
Evelyn Taocheng Wang 王伊芙苓韜程
Untitled - Platypus, Divisionism, Proletariat, 2013-2014
75 x 340 x 60cm
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)
Evelyn Taocheng Wang 王伊芙苓韜程
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin), 2023
195 x 195 x 2.5cm
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin)
Evelyn Taocheng Wang 王伊芙苓韜程
Hand pour coffee on the Leave in the Wind (The imitation of Agnes Martin), 2023
195 x 195 x 2.5cm
Autumn Reputation
Evelyn Taocheng Wang 王伊芙苓韜程
Autumn Reputation, 2023
200 x 200 x 2.5cm
Flax and Imitation of Agnes Martin
Evelyn Taocheng Wang 王伊芙苓韜程
Flax and Imitation of Agnes Martin, 2023
185 x 185 x 2.5cm
Accumunation
Mind and Body with Organice Black Berry
Evelyn Taocheng Wang 王伊芙苓韜程
Mind and Body with Organice Black Berry, 2023
101 x 60 x 5cm
Flower Motif of Georgia O'Keeffe and Imitation of Agnes Martin
Evelyn Taocheng Wang 王伊芙苓韜程
Flower Motif of Georgia O'Keeffe and Imitation of Agnes Martin, 2025
155 x 155 x 2.5cm
Grandmother Underwear and Imitation of Agnes Martin
Evelyn Taocheng Wang 王伊芙苓韜程
Grandmother Underwear and Imitation of Agnes Martin, 2025
155 x 155 x 2.5cm
Real or Fake Frog Princess
Evelyn Taocheng Wang 王伊芙苓韜程
Real or Fake Frog Princess, 2025
70 x 60 x 2.5cm
Carlos/Ishikawa
Gallery
Carlos/Ishikawa
London

Founded in 2011, Carlos/Ishikawa’s program is dedicated to considered and ambitious exhibitions that offer diverse artists’ perspectives on structural, socio-cultural, and political questions. The program focuses on international artists with often wide-ranging, multi-disciplinary and experimental practices. There is an interest within the program of challenging the aesthetic conventions of conceptual art, and a focus on art that is able to operate on an affective, emotional level as well as a rigorous intellectual one. The gallery has offered many artists their first solo show, many of whom have gone on to receive recognition internationally. ...

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