Survival Piece II: Notations on the Ecosystem of the Western Saltworks with the Inclusion of Brine S...

The Harrison Studio

Survival Piece II: Notations on the Ecosystem of the Western Saltworks with the Inclusion of Brine Shrimp, 1972Price on Request
Details
MaterialGalleryLocation
dunaliella algae, brine shrimp, saltwater, wood and plastic sheetingVarious Small FiresLos Angeles
Description
Human-crafted. AI-refined.

Visual Elements: The image features a vibrant color contrast between the person's navy blue shirt and the pale green water they are standing in. The overall composition emphasizes the juxtaposition between the solid, angular structures in the background and the flowing, organic nature of the water. Subject Matter: The image depicts a person, seemingly a man, standing in a shallow pool of water, possibly a public fountain or feature. The person's posture and gestures convey a sense of active engagement with the environment. Artistic Style and Technique: The photograph captures a spontaneous, performative moment, with the person's unexpected interaction with the water creating a visually striking and conceptual scene. The use of natural light and the reflections on the water's surface contribute to the artwork's atmospheric quality. Context: This piece may be part of a larger artistic exploration of human interaction with public spaces and the unexpected ways people can engage with their surroundings, blurring the boundaries between everyday life and creative expression. ...

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The Harrison Studio
Artist
The Harrison Studio
1932

The Harrison Studio consists of Newton Harrison (1932-2022) and Helen Mayer Harrison (1927-2018). Often simply referred to as “The Harrisons,” the husband-and-wife team were leading pioneers of the Ecological Art movement. Although contemporaries of other Land Artists such as Robert Smithson or Walter de Maria, a forthright activism sets The Harrison Studio apart. Their aim was really for their art to inspire change. During their prolific fifty-year career, the Harrisons produced work across a vast range of disciplines, working in collaboration with biologists, ecologists, historians, activists, architects, urban planners, and fellow artists to initiate dialogues and create works exploring biodiversity and community development. They worked across performance, photography, drawing and painting, shifting the parameters of each piece to best suit the needs of each project. Their earliest collaborative work Making Earth was created in 1970, where Newton performatively combined sand, clay, sewage, manure, leaves and worms to generate arable earth which he watered and turned over the course of four months. Helen documented this process and then used the soil to grow strawberries for her piece Making Strawberry Jam, 1972. This organic, responsive methodology was sustained throughout their career, as they continually championed the need to collaborate with nature as opposed to mastering it. ...

The Harrison Studio: Artworks
Green Heart Vision
The Harrison StudioGreen Heart Vision, 1994Price on Request
Devil’s Gate: A Refugia for Pasadena
The Harrison StudioDevil’s Gate: A Refugia for Pasadena, 1987Price on Request
San Diego as the Center of a World
The Harrison StudioSan Diego as the Center of a World, 1974Price on Request
Meditation on the Gabrieleno, Whose Name for Themselves is No Longer Remembered
The Harrison StudioMeditation on the Gabrieleno, Whose Name for Themselves is No Longer Remembered, 1976Price on Request
Survival Piece II: Notations on the Ecosystem of the Western Saltworks with the Inclusion of Brine S...
The Harrison StudioSurvival Piece II: Notations on the Ecosystem of the Western Saltworks with the Inclusion of Brine Shrimp, 1972Price on Request
Making Earth
The Harrison StudioMaking Earth, 1969-70Price on Request
Tibet is the High Ground Sketch 1
The Harrison StudioTibet is the High Ground Sketch 1, nullPrice on Request
Survival Piece #2: Notations on the Ecosystem of the Great Western Salt Works
The Harrison StudioSurvival Piece #2: Notations on the Ecosystem of the Great Western Salt Works, 1971Price on Request
Garden of Hot Winds and Warm Rains (A Prophesy)
The Harrison StudioGarden of Hot Winds and Warm Rains (A Prophesy), 1996Price on Request
Untitled (Outtake from Seventh Lagoon Cycle), Made
The Harrison StudioUntitled (Outtake from Seventh Lagoon Cycle), Made, 1981Price on Request
Making Earth (1970)
The Harrison StudioMaking Earth (1970), 197040000 USD
Composting in the Pentagon with Worm Tailings
The Harrison StudioComposting in the Pentagon with Worm Tailings, 201730000 USD
You Have Been Weighted in the Scales, As Have We
The Harrison StudioYou Have Been Weighted in the Scales, As Have We, 201125000 USD
Various Small Fires
Gallery
Various Small Fires
Los Angeles, Seoul, Dallas

Various Small Fires (Los Angeles /Dallas /Seoul) began as a series of conversations with artists and curators in Esther Kim Varet’s Venice Beach kitchen while working on her doctoral dissertation. VSF debuted in Hollywood as an official gallery in 2015 with a roster of artists and its current Johnston MarkLee Architects-designed building. The Hollywood gallery contains three exhibition spaces, a unique sound corridor, and an outdoor gallery. VSF’s exhibition program explores several curatorial lines: climate, equality, and an international conversation. The gallery is known for offering artists debut shows, creating intergenerational conversations among the artists on its roster, and solidifying artists’ legacies within art history. In 2019, VSF opened a second location in the Hannam neighbourhood of Seoul, South Korea, followed recently this Spring by VSFs third outpost in Dallas, Texas. While Varet has very personal connections to both locations, they are also superlative art communities. These expansions emphasise the gallery’s commitment to innovation and global dialogue in the twenty-first century. In 2021, VSF became a member of the Art Dealers Association of America (ADAA). ...