This contemporary artwork features a muted pink background with a translucent, ethereal dress suspended in the center. The dress is characterized by a grid-like pattern, suggesting an emphasis on geometric forms and architectural elements. Alongside the dress are two gold-toned hand mirrors, which add a symbolic and reflective quality to the piece. The overall composition is minimalist, with the lone banana-shaped object floating above the ensemble, creating a surreal and dreamlike atmosphere. The artist's intention may be to explore concepts of identity, introspection, and the human form through the juxtaposition of these varied elements. ...
Thea Gvetadze's work is always deeply personal yet transcends the simple individual; her drawings, wooden, ceramic and textile objects dematerialise into transcendent layers that speak to universal concerns such as the ambiguities of identity and one's place in the world. In Gvetadze's artistic study, Being is seen through plenitude rather than lack. Gvetadze strives to prove that life, despite all grave circumstances, always preserves sites where the potential of its blessing is maintained. The artist reveres life as a gift and insists that as long as art has the capacity to elevate things, it must do so in order to at least draft the realm where things and creatures can be revered and redeemed. ...
