The artwork features a minimalist, sculptural piece composed of white plaster with a bold orange accent. The simple, abstract form evokes a sense of organic, anthropomorphic shapes, suggesting the outline of a stylized human figure. The artist employs a distinct, monochromatic palette and a textured, clay-like surface, creating a tactile, almost primitive quality to the piece. This sculpture likely aims to explore themes of the human form and its primal, elemental representation through a reductive, modernist aesthetic. ...
Thea Gvetadze's work is always deeply personal yet transcends the simple individual; her drawings, wooden, ceramic and textile objects dematerialise into transcendent layers that speak to universal concerns such as the ambiguities of identity and one's place in the world. In Gvetadze's artistic study, Being is seen through plenitude rather than lack. Gvetadze strives to prove that life, despite all grave circumstances, always preserves sites where the potential of its blessing is maintained. The artist reveres life as a gift and insists that as long as art has the capacity to elevate things, it must do so in order to at least draft the realm where things and creatures can be revered and redeemed. ...
