Lose on time
Lose on time

Tina Braegger

Lose on time, 202438.5 x 30.5 x 3.5cmSign in to view price
Details
MaterialGallery
oil on canvasSociété
Description
Human-crafted. AI-refined.

The artwork features a minimalist composition with contrasting elements. The dominant visual element is a field of vibrant yellow, resembling a tiled or parquet floor, which occupies the lower portion of the frame. This rectangular yellow area is juxtaposed with a pale, almost monochromatic upper section, suggesting an abstract architectural or interior scene. The style is marked by a reductive, geometric approach, emphasizing the interplay of color, shape, and negative space. While the subject matter is not immediately recognizable, the work likely aims to explore themes of space, materiality, and the essence of visual perception. ...

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Tina Braegger
Artist
Tina Braegger
B.1985, Swiss

Tina Braegger (b. 1985, Lucerne) lives and works in Berlin and Zurich. She is a conceptual artist whose work addresses questions related to originality, reproduction, authenticity, repetition, and difference. Since 2017, she has explored these topics through the motif of the „dancing bear,” a bootleg drawing that became an emblem of the American rock band The Grateful Dead in the 1970s. Braegger’s attraction to the bear has little to do with the band‘s music. Instead, her painting practice conceptually engages with how this counterfeit symbol inverts notions of official and unofficial, original and copy. In Braegger’s paintings, as in the concert parking lots that spawned countless variations of this figure, the bear operates according to the logic of the bootleg. The dancing bear absorbs, sponge-like, characteristics that it encounters through the process of its circulation, canonization, and its own fluctuating values—which Braegger addresses in her endless painterly permutations of this figure. As critic Francesco Tenaglia notes, „It is always there, in one form or another, and it defines the way painting reinvents it, reacts against it, ignores it, or digests it. It is a logo, a mannerism, a trigger, and a grid.“ ...

Tina Braegger: Artworks
Gold Bear
Tina BraeggerGold Bear, 2023
155.5 x 205.5 x 3cm
Nomen
Tina BraeggerNomen, 2023
32 x 26 x 4cm
Verb
Tina BraeggerVerb, 2023
32 x 26 x 4cm
February
Tina BraeggerFebruary, 2023
32 x 26 x 4cm
November
Tina BraeggerNovember, 2023
32 x 26 x 4cm
Adjournment
Tina BraeggerAdjournment, 2024
43.5 x 35.5 x 3.6cm
Endgame
Tina BraeggerEndgame, 2024
38.5 x 30.5 x 3.5cm
Rooks on the seventh
Tina BraeggerRooks on the seventh, 2024
38.5 x 30.5 x 3.5cm
Giulio Piano (I, I and I)
Backward pawn
Tina BraeggerBackward pawn, 2024
38.5 x 30.5 x 3.5cm
Terminology
Tina BraeggerTerminology, 2024
43.5 x 35.5 x 3.6cm
Fianchetto for the win
Active piece
Tina BraeggerActive piece, 2024
38.5 x 30.5 x 3.5cm
Iacopo look
Tina BraeggerIacopo look, 2024
98 x 157 x 5cm
My last poem
Tina BraeggerMy last poem, 2024
43.5 x 35.5 x 4cm
Fools mate
Tina BraeggerFools mate, 2024
43.5 x 35.5 x 4cm
Mate in two
Tina BraeggerMate in two, 2024
38.5 x 30.5 x 3.5cm
The currency I hold
Tina BraeggerThe currency I hold, 2024
38.5 x 30.5 x 3.5cm
Lose on time
Tina BraeggerLose on time, 2024
38.5 x 30.5 x 3.5cm
The smaller splash
Only one of us is real
Baller
Tina BraeggerBaller, 2024
128 x 203 x 6cm
in the mood for love
TBT
Tina BraeggerTBT, 2021
130 x 95 x 4cm
Paint it black
Ruby Tuesday
Tina BraeggerRuby Tuesday, 2022
195 x 295 x 4.5cm
Like a Prayer
Tina BraeggerLike a Prayer, 2021
195 x 185 x 4cm
It's Coming Home
The grapes of wrath
Powers of Horror
It takes two to Tango
Admin Reveal
Tina BraeggerAdmin Reveal, 2023
179 x 204 x 6cm
Id, Ego, Superego
Sarvangasana
Tina BraeggerSarvangasana, 2023
283.5 x 214 x 6cm
Dirty numb angel boy
Qxh7#
Tina BraeggerQxh7#, 2023
32 x 26 x 4cm
July
Tina BraeggerJuly, 2023
32 x 26 x 4cm
April
Tina BraeggerApril, 2023
32 x 26 x 4cm
December
Tina BraeggerDecember, 2023
32 x 26 x 4cm
Overhead Kick
Arschbombe OMG!
Société
Gallery
Société
Berlin

Société is a Berlin-based gallery with an international profile—its core operations lay in Europe, the United States, and Asia. The gallery’s exhibitions, publications, and boundary-pushing initiatives have established a vital dialogue among artists working internationally. Société focuses on establishing long-term, symbiotic relationships with its gallery artists, many of whom had their first solo exhibition with the gallery. The structure of the gallery’s program and the format of its projects is an artist-led approach that responds to the ever-evolving conditions of artistic research and production—at times even pushing beyond traditional exhibition formats. Although differing in media and approach, Société’s artists address the relationship between cultural production and consumption, the circulation of information, identity, and cultural history in an era highly mediated by technology. The gallery's publishing initiative Edition Société, has worked with accomplished graphic designers on a number of acclaimed artist's books. The gallery has additionally produced 12" records with several contemporary musicians. Société has exhibited at Art Basel / Art Basel Miami Beach / Art Basel Hong Kong / Frieze London / Frieze New York / Frieze LA / ARCO Madrid / Independent New York / Independent Brussels / Art Cologne / Art Brussels / Enter Art Fair / Gallery Weekend Berlin / and Art Berlin among other locations. ...

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