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Tom Hardwick-Allan's "Late Segmentation of the Blastophere (3rd State)" features a dark, star-like form with a textured center, radiating jagged arms that evoke organic transformation. The composition is dominated by its intricate, tactile relief, showcasing the artist's adept manipulation of materials. The artwork engages a sculptural technique, bridging the realms of printmaking and sculpture, characterized by a raw, carved aesthetic. This piece embodies Hardwick-Allan's exploration of transformation and perception, inviting viewers to delve into the intersections of cultural and historical narratives through its physical form. ...
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Tom Hardwick-Allan explores the interplay between materiality, transformation, and meaning. His work often involves the act of scratching away at various surfaces, treating image-making as a digestive process. This approach allows him to trace connections between disparate elements, such as falconry, printmaking, and augury, exploring how these seemingly unrelated themes converge through the act of creation. Employing a range of materials, Hardwick-Allan's works often feature carved birch plywood, which he manipulates to create intricate reliefs. These pieces hover between print and sculpture, embodying a tension between permanence and decay. The process of carving and layering materials reflects a commitment to continuous revision, allowing for a dialogue between the artist and the evolving work. Through his practice, Hardwick-Allan engages with themes of transformation, perception, and the latent potential within materials. His work invites viewers to consider the intersections of various cultural and historical references, encouraging a deeper exploration of the narratives embedded within the physical forms. ...