Xavier Coronel

Spite Bromance (no one dances quite like my brothers), 2021273 x 400cm13700 USD

Details

MaterialGallery

Oil, acrylic, latex paint, glue, chalk, graphite, colored pencil and ink on canvasGinsberg

Description

Human-crafted. AI-refined.

The painting features a vibrant, abstract composition with a striking use of color and contrasting elements. The dominant hues are warm tones of yellow and beige, creating a dreamlike, atmospheric quality. The composition is dynamic, with intersecting lines, shapes, and figures that suggest a sense of movement and energy. The style is reminiscent of surrealism, with the inclusion of fantastical, almost whimsical, elements that invite the viewer to interpret the work's underlying symbolism or narrative. The artist's intention seems to explore the subconscious and evoke a emotional response through the layered, expressive techniques employed. ...

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Artist

Xavier Coronel

B.1988, Ecuadorian

Xavier Coronel creates large-scale mixed media paintings which examine dynamics between terror and memory. Inspired by elements of horror, ranging from traditional cinematic genres to the sensory niches revealed when overturning an ostensibly organized reality, Coronel's paintings stand as a testament to his cinematic studies in Buenos Aires. His work reveals his affinity for pop culture, everyday nuances, video games, virtual realms, and a poignant yearning for his formative years and prior habitats. With a keen ability to absorb and integrate the vast array of images and information he encounters daily, Coronel channels these experiences into his work. The resultant paintings act like slices of his personal narrative. It's not uncommon for viewers to come across juxtapositions, such as the foot of Justin Bieber alongside a video game still, or an abstracted film poster. This artistic tapestry aptly reflects a generation saturated with information, where, within Coronel's oeuvre, traditional hierarchical distinctions dissolve, fostering a level playing field among myriad visuals. ...