Roger Muñoz

Circle jerk on a miserable old faggot (Destiny Bond), 2022120 x 100cm3000 USD

Details

MaterialGallery

oil and airbrush on canvasDES BAINS

Description

Human-crafted. AI-refined.

This imaginative artwork features a vibrant, surreal landscape illuminated by a dramatic, colorful light. The composition is dominated by an eerie, ghostly figure in the foreground, surrounded by a group of skeletal figures seemingly emerging from the darkness. The artist employs a bold, expressive use of color and brushwork, creating a striking, otherworldly atmosphere. The subject matter evokes a sense of the supernatural, hinting at a narrative or underlying symbolism that may comment on mortality, the afterlife, or the human condition. Overall, the piece showcases the artist's skilled technical execution and ability to craft a visually captivating, thought-provoking work of contemporary art. ...

Similar Artworks

Serdar AcarUntitled, 2021Price on Request

Wong Ping 黃炳I am the last, 2021Price on Request

Özgür KarA Door Ajar, 202318000 EUR

Abbas ZahediDelete the Beans (Deadweight), 20221300 GBP

Janaina WagnerEm terra (Inland), 2020Price on Request

Wong Ping 黃炳Albino Cockroach becomes the lightest colour bodybuilding championship winner in history 白化症曱甴成為健美史上膚色最淺的健美錦標賽總冠軍, 2018Price on Request

Brook HsuUntitled (Skull), 2021Price on Request

Abbas ZahediPolice Book Exchange (Goldsmiths CCA), 2022Price on Request

Özgür KarCOME CLOSER, 2019Price on Request

Kris LemsaluMother of Stilts, 202213500 USD

Serdar AcarUntitled, 2021Price on Request

Alvaro BarringtonSea to C, RR,, 2023Price on Request

Mahbub JokhioNobody writes to Islam chacha!, 2016Price on Request

Sin Wai KinNarrative Reflections On Looking, Part One / She Was More Than The Sum Of My Parts, 2016Price on Request

Artist

Roger Muñoz

B.1990

Roger Muñoz (b. 1990, Costa Rica). He uses grim humor as a critical tool to project and visualize narratives related to power, monstrosity, and decadence. His practice is developed mainly through a pictorial perspective that branches out to other media such as video, installation, and transvestite performance.Through these media, he stages narratives of death and cruelty, social archetypes, and mythological relationships to unveil social class tensions and power dynamics. His work intersects dark humor, goth culture, and horror sub- cultures, on the other hand, with orientalism and latin american pop culture, on the other. We can think of his work as a sort of projection of tropical horror anchored in his country’s landscapes, trash TV, popular culture, the remnants of its underground subcultures, and horror movies. Roger's work thus reflects a global-era blend of developed-country imported culture and the native cultural context I was immersed in. ...