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Description
The artwork features a predominantly neutral color palette, with various shades of beige, cream, and white dominating the composition. The overall structure consists of geometric shapes and lines, creating a sense of balance and symmetry. The composition appears to be a study of architectural forms, with several intersecting and overlapping planes that suggest depth and perspective. The subject matter is abstract, focusing on the interplay of shapes, lines, and textures rather than a specific representational subject. The artist has employed a minimalist approach, using a limited palette and simple geometric forms to convey a sense of order and rationality. The style and technique suggest a modernist or postmodernist influence, with the artist exploring the formal qualities of the medium and the inherent properties of the materials used. The artwork emphasizes the materiality of the surface, with visible brushstrokes and subtle textures adding depth and visual interest. This artwork may be part of a larger investigation into the relationship between architecture, geometry, and the visual arts, reflecting the artist's interest in the intersection of design, structure, and abstract expression. ...
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Alex Ayed’s practice is an intricate and conceptual kaleidoscope of the intentional and accidental, living and static, fictional and real. Working in sculpture, installation, assemblage and photography, the French-Tunisian artist “lets things happen” in his surroundings, travels and experiences which he then translates to into playful and poetic objects and constellations, placed inside walls, corners or shelves in the exhibition spaces. Dried-out insects, bits of marble, a stuffed fox, a dead fly, Tunision olive oil soap, present in his works, tell personal stories, as well as allude to the questions of migration and movement, exploration, conquest and trade. Leaving space for the unknown, failure and lack of meaning, Ayed approaches his exhibitions as single works in themselves. Continuously transforming the spaces, inviting the local neighbourhoods, crediting 36 pigeons, two dogs and a snake that contributed in the exhibition-making, he creates assemblages from assemblages. Ayed’s practice is inherently unpredictable, with his works often creating meaning on their own through chance and context. ...
Over the years, the gallery has developed a programme of exhibitions with Italian and international artists, focusing on themes related to time, space and the human condition. Moving to Milan in 2003, developed a narrative connected to a nomadic attitude, using different spaces in the city. ZERO... has collaborated with national and international museums, as well as public and private institutions.