The artwork depicts a striking abstract figure sculpted in a dark, textured material, likely bronze or stone. The composition features a prominent, elongated silhouette with a distinctive facial profile and a distinctive, flowing headdress or hairstyle. The overall form conveys a sense of ethereal, almost otherworldly presence, with the viewer drawn to the intricate details and the play of light and shadow across the sculpture's surface. The artist's use of minimalist, expressionistic techniques creates a powerful, emotive work that invites contemplation on themes of human identity, spirituality, and the human condition. ...
Jean-Marie Appriou imagines speculative futures and utopian worlds by constructing vast and imposing yet intricate and technically impressive sculptures from an array of materials including bronze, glass, aluminium, wax and clay. As if they are figments plucked from fantastical dreams, the works and worlds Appriou conjurs include beings loaded with symbolism. From snakes and huge horse heads to seahorses and sharks, Appriou’s cast of protagonists is mystical and mythical. He combines these beings with representations of Japanese Ama divers, beekeepers and crop gatherers, who symbolise discovery, germination and new life. By summoning future visions with creatures taken from myth and legend, Appriou combines past, future and imagined, weaving new narratives that transcend time, truth and terrain.
Written by Goldsmiths CCA ...
C L E A R I N G is a contemporary art gallery based in New York, Los Angeles and Brussels. The gallery was founded in 2011, with the focus of showing emerging art. It now represents over 20 living artists, providing many of them - such as Harold Ancart, Korakrit Arunanondchai, Chase Hall, Calvin Marcus and Marina Pinsky - with their first gallery exhibition. The gallery also represents the estates of Eduardo Paolozzi, Bruno Gironcoli and René Heyvaert. C L E A R I N G supports its artists by producing works, exhibitions and books, as well as working closely with public and private institutions. ...
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