Barrow

Alison Britton

Barrow, 201937.5 x 40 x 16cm7000 GBP
Details
MaterialGalleryLocation
earthenwareCorvi-MoraLondon
Description
Human-crafted. AI-refined.

This abstract ceramic sculpture features a striking blend of earthy colors and organic forms. The piece is composed of bold, expressive brushstrokes in hues of beige, black, and rust, creating a dynamic and visually captivating composition. The irregular, asymmetrical shape and the protruding spout give the work a distinctive, sculptural quality, evoking a sense of movement and fluidity. The artist's distinctive style and technique, which blend abstract expressionism with functional ceramic forms, suggest a playful exploration of the boundaries between art and utility. This piece likely reflects the artist's personal vision and engagement with the medium, offering a unique and thought-provoking perspective on contemporary ceramic art. ...

Similar Artworks
Untitled
John StezakerUntitled, 201110000 GBP
Diamond composition 1: Angel of arrival
John RussellDiamond composition 1: Angel of arrival, 20249000 GBP
hour-watching silver and exact water is in water within within within
Sara Barkerhour-watching silver and exact water is in water within within within, 201722000 GBP
The Lookout
Simon PeritonThe Lookout, 2015Price on Request
Flat 28
Richard DeaconFlat 28, 201645000 EUR
Eclipse
Kira FreijeEclipse, 20248000 GBP
PULL
Sara BarkerPULL, 20205000 GBP
Diamond composition 3: Angel of arrival
John RussellDiamond composition 3: Angel of arrival, 20249000 GBP
however
Cerith Wyn Evanshowever, 2022Price on Request
The Voyeur
John StezakerThe Voyeur, 1979Price on Request
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb SediraD'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 202115000 EUR
Further Consumption / Blue Window
Lucy SkaerFurther Consumption / Blue Window, 2017Price on Request
Alison Britton
Artist
Alison Britton
1948 , British

Alison Britton OBE is a prominent British ceramicist. Working within a palette of earthy tones, her hand-built sculptures continue to challenge the division between fine art and craft. Her sculpted vessels often bridge the gap between abstraction and function for example, with spouts for water jugs being slightly out of kilter or irregular handles organically sprouting out of basins, rendering the objects unusable in their traditional context. This modernist, playful approach was developed during her time at the Royal College of Art in the 1970s. With contemporaries such as Elizabeth Fritsch, Carol McNicoll and Jacqueline Poncelet, a real spirit of experimentation flourished. Heavily inspired by Gordon Baldwin and Hans Coper, the group sought to reconsider the role of practicality within ceramics, to shift the predetermined course of an object. This innovative approach still fuels Britton’s practice today. Leaning into the changeable quality of her material, she takes pleasure in the knots or folds of clay that arise in her forms and adorns these irregularities with decorative gestures, bringing new life and character to functional household objects. ...

Alison Britton: Artworks
Shift
Alison BrittonShift, 20148000 GBP
Slide
Alison BrittonSlide, 20148000 GBP
Flute
Alison BrittonFlute, 20158000 GBP
Barrow
Alison BrittonBarrow, 20197000 GBP
Jetsam
Alison BrittonJetsam, 20208000 GBP
Corvi-Mora
Gallery
Corvi-Mora
London

Corvi-Mora is a contemporary art gallery based in Kennington, South London. The gallery currently represents over 30 artists, including Dominique Gonzalez-Foerster, Lynette Yiadom-Boakye, Alvaro Barrington, Jennifer Packer, Brian Calvin, Tomoaki Suzuki and established international artists such as Turner Prize nominees Roger Hiorns and Lynette Yiadom-Boakye. Corvi-Mora was founded by Tommaso Corvi-Mora in 2000 at premises in London's Warren Street after the closure of the gallery Robert Prime which he founded in partnership with Gregorio Magnani in 1995. Corvi-Mora moved to a space on Kempsford Road in 2004 with the contemporary art gallery greengrassi. Notable exhibitions include Sorrow for A Cipher by Lynette Yiadom-Boakye in 2016, Roger Hiorns in 2004 and 2015, The Commune Itself Becomes a Super State by Liam Gillick in 2007, Rachel Feinstein in 2007, and Richard Hawkins in 2009. ...