Winter receding

Sara Barker

Winter receding, 2020120 x 240 x 19cmSign in to view price
Details
MaterialGallery
painted aluminium tray, stainless steel rod, automotive and oil paint and pastelThe approach
Description
Human-crafted. AI-refined.

This contemporary artwork features a vibrant, abstract composition of bold colors and fragmented shapes. The two panels depict a busy, urban scene with recognizable architectural elements and shadowy figures. The artist employs a cubist-inspired style, breaking down the visual elements and reassembling them in a dynamic, expressionistic manner. This intriguing work likely reflects the artist's intention to capture the chaos and energy of modern city life.

Similar Artworks
Fairy Dance
Sophie von Hellermann
Fairy Dance, 2021
130 x 150cm
Drop
Germaine Kruip
Drop, 2017
50 x 30 x 120cm
Biting the Granite
Phillip Allen
Biting the Granite, 2021
52 x 48cm
Stool
Eva Rothschild
Stool, 2017
41 x 31.5 x 30.5cm
Catachresis on Paper #33 (Boca de Jarro, Face of the Mirror, Foot of  the Bed, Face of the Crystal, Heels of the Shoe)
Amalia Pica
Catachresis on Paper #33 (Boca de Jarro, Face of the Mirror, Foot of the Bed, Face of the Crystal, Heels of the Shoe), 2022
35 x 28 x 2.8cm
Pink Cup
Sam Windett
Pink Cup, 2008
35 x 25cm
Concrete Canvas Prints
Angela De La Cruz
Concrete Canvas Prints, 2019
91.5 x 81 x 1cm
08/07/ (Tower)
Sam Windett
08/07/ (Tower), 2020
42.2 x 56cm
Witness
Eva Rothschild
Witness, 2017
305 x 82 x 82cm
Deepdrippings (Curry Nighthawk version)
Phillip Allen
Deepdrippings (Curry Nighthawk version), 2016
153 x 122cm
Survivor
1.618 ellipse, dual resonance
Germaine Kruip
1.618 ellipse, dual resonance, 2022
85 x 65 x 25cm
Joy in Paperwork 389
Amalia Pica
Joy in Paperwork 389, 2015
29.7 x 21cm
Dirty (Fuchsia)
Angela De La Cruz
Dirty (Fuchsia), 2011
54 x 46 x 28cm
Hexagon Kannadi in Six Parts
Germaine Kruip
Hexagon Kannadi in Six Parts, 2023
25 x 21.5 x 8cm
Endless Waiting (Search problem Version)
Phillip Allen
Endless Waiting (Search problem Version), 2021
32 x 27cm
More than hope
Peter Davies
More than hope, 2024
35.6 x 25.4cm
When truth becomes fiction
Sophie von Hellermann
When truth becomes fiction, 2021
130 x 150cm
Study for Rearranging the Conference Table 1
Amalia Pica
Study for Rearranging the Conference Table 1, 2020
70 x 80 x 3.2cm
Coarse Grain - (Tragedy of the Horizon Version)
Phillip Allen
Coarse Grain - (Tragedy of the Horizon Version), 2022
180 x 150cm
Joy in Paperwork #326-328
Amalia Pica
Joy in Paperwork #326-328, 2016
30 x 21cm
Bold Europa
Eva Rothschild
Bold Europa, 2017
300 x 170 x 3cm
Waiting
Peter Davies
Waiting, 2023
25.5 x 35.5cm
Kannadi (Four Triangles)
Germaine Kruip
Kannadi (Four Triangles), 2017
24 x 24 x 6.4cm
Opinel Hoard Shadow
Eddie Peake
Opinel Hoard Shadow, 2017
44 x 51cm
Gaia
Intro
Eva Rothschild
Intro, 2018
123 x 45 x 38cm
Monochrome (Purple)
Angela De La Cruz
Monochrome (Purple), 2020
70 x 50 x 7cm
Joy in Paperwork 364
Amalia Pica
Joy in Paperwork 364, 2015
29.7 x 21cm
Counter Movement White, Mirrored
Germaine Kruip
Counter Movement White, Mirrored, 2013
80 x 80 x 80cm
Still life #11
Juliette Blightman
Still life #11, 2016
290 x 290cm
Withering glances
Peter Davies
Withering glances, 2023
122 x 168 x 3.5cm
Polyplumes
Phillip Allen
Polyplumes, 2021
82 x 70cm
Sara Barker
Artist
Sara Barker
B.1980, British

Sara Barker employs painted aluminum sheets, molded brass, and steel brazing, as well as commonplace materials like wood, cardboard, and wire to create three-dimensional sculptural paintings. Drawing on her background in painting, Barker treats metal sheets as a canvas to explore the limits of painted surfaces beyond cavases. By integrating gestural painting into her works, she creates a contrast with industrial forms, resulting in large scale, self-supporting sculptures and wall hangings that engage with composition, scale, and materiality in nuanced ways. Barker has included angular aluminum trays, or ‘trenches,’ as vessels for painting, which are fundamental and adaptable structures that can accommodate diverse forms, depths, configurations, and shapes. Her work highlights a shared language between painting and sculpture that is visceral, tangible, and fundamental to the act of creation, and these pieces create small, self-contained abstract landscapes composed of linear metal shapes. ...

Sara Barker: Artworks
mouth
Sara Barker
mouth, 2020
38 x 40 x 8.5cm
Split
Sara Barker
Split, 2020
20 x 20 x 5cm
Hold
Sara Barker
Hold, 2020
28 x 20 x 6cm
Bunker
Sara Barker
Bunker, 2020
40 x 39.5 x 4.5cm
a child slippinga man losing his hatin the natural weather
Sara Barker
a child slippinga man losing his hatin the natural weather, 2017
99 x 134 x 27cm
Plant is nature Pattern is human
Sara Barker
Plant is nature Pattern is human, 2016
112 x 91 x 30cm
climb
Sara Barker
climb, 2020
13 x 8 x 4cm
PULL
Sara Barker
PULL, 2020
43 x 50 x 16cm
Reason
Sara Barker
Reason, 2020
33.5 x 40 x 6.5cm
Winter receding
Sara Barker
Winter receding, 2020
120 x 240 x 19cm
Ensemble (on Steinway’s back)
Sara Barker
Ensemble (on Steinway’s back), 2020
170 x 142 x 26cm
Crushed to powder returned to earth
Sara Barker
Crushed to powder returned to earth, 2020
190 x 112 x 47cm
Geographies of dust and air
Sara Barker
Geographies of dust and air, 2020
128 x 155 x 70cm
Saturnine night
Sara Barker
Saturnine night, 2018
72 x 74 x 22cm
Wild nature
Sara Barker
Wild nature, 2018
77 x 107.5 x 23cm
hour-watching silver and exact water is in water within within within
Sara Barker
hour-watching silver and exact water is in water within within within, 2017
136 x 174 x 42cm
unnatural councilhands in cold looked blue
Sara Barker
unnatural councilhands in cold looked blue, 2017
211 x 73 x 67cm
the letters F & M are characters
Sara Barker
the letters F & M are characters, 2016
299 x 202 x 227cm
metamorphosis of friends disappeared subtle structures
Sara Barker
metamorphosis of friends disappeared subtle structures, 2016
330 x 162 x 167cm
irradiations across hemispheres
Sara Barker
irradiations across hemispheres, 2016
240 x 185 x 110cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access