Split

Sara Barker

Split, 202020 x 20 x 5cmSign in to view price
Details
MaterialGallery
stainless steel tray, stainless steel rod, automotive paint, oil paint, tinfoilThe approach
Description
Human-crafted. AI-refined.

This abstract artwork features a vibrant collage of colors, shapes, and textures. The composition is dynamic, with jagged, intersecting lines and fragments of various materials, including what appear to be paper, fabric, and paint. The overall effect is one of chaos and energy, evoking a sense of fragmentation and disruption. The artist's distinctive technique, which incorporates found and repurposed materials, lends the piece a sense of spontaneity and experimentation. This work likely reflects the artist's exploration of themes related to the human experience, such as the fragility of existence and the constant state of change in the modern world. ...

Similar Artworks
1.618 ellipse, dual resonance
Germaine Kruip
1.618 ellipse, dual resonance, 2022
85 x 65 x 25cm
Dynamic Mobility (academy version)
Phillip Allen
Dynamic Mobility (academy version), 2004
122 x 153cm
Glider
Sam Windett
Glider, 2024
182 x 172cm
Intro
Eva Rothschild
Intro, 2018
123 x 45 x 38cm
Concrete Canvas Prints
Angela De La Cruz
Concrete Canvas Prints, 2019
91.5 x 81 x 1cm
Densequalia
Phillip Allen
Densequalia, 2005
51 x 61cm
A possibility of an abstraction Circle Dance
Germaine Kruip
A possibility of an abstraction Circle Dance, 2012
Stool
Eva Rothschild
Stool, 2017
41 x 31.5 x 30.5cm
Kannadi, Square and Circle Sequence
Germaine Kruip
Kannadi, Square and Circle Sequence, 2019
308 x 30cm
Coarse Grain - (International Everywhere Version)
Phillip Allen
Coarse Grain - (International Everywhere Version), 2022
180 x 150cm
T.K.O
Eva Rothschild
T.K.O, 2017
360 x 63 x 34cm
Column Untitled
Germaine Kruip
Column Untitled, 2012
397 x 12 x 12cm
Deepdrippings (ghetto anglaise version)
Phillip Allen
Deepdrippings (ghetto anglaise version), 2016
152 x 122cm
Bold Europa
Eva Rothschild
Bold Europa, 2017
300 x 170 x 3cm
Coarse Grain - (International Nowhere Version)
Phillip Allen
Coarse Grain - (International Nowhere Version), 2022
180 x 150cm
Rhombus
Joy in Paperwork 378
Amalia Pica
Joy in Paperwork 378, 2015
29.7 x 21cm
Ruins
Eva Rothschild
Ruins, 2013
360 x 205 x 130cm
Monochrome (Purple)
Angela De La Cruz
Monochrome (Purple), 2020
70 x 50 x 7cm
Counter Movement (mirrored/white)
Germaine Kruip
Counter Movement (mirrored/white), 2013
80 x 80 x 80cm
Biting the Granite
Phillip Allen
Biting the Granite, 2021
52 x 48cm
Planning for purpose (English version)
Phillip Allen
Planning for purpose (English version), 2006
40 x 45cm
Untitled Bronze Circle
Germaine Kruip
Untitled Bronze Circle, 2019
121.7 x 35 x 0.4cm
Dirty (Fuchsia)
Angela De La Cruz
Dirty (Fuchsia), 2011
54 x 46 x 28cm
Still life #11
Juliette Blightman
Still life #11, 2016
290 x 290cm
Opinel Hoard Shadow
Eddie Peake
Opinel Hoard Shadow, 2017
44 x 51cm
Pink Moon
Eva Rothschild
Pink Moon, 2019
78 x 78 x 3cm
Forever love
Peter Davies
Forever love, 2024
30.4 x 40.8cm
Keepsake #6
Amalia Pica
Keepsake #6, 2024
102 x 158cm
Harvest
Sara Barker
Artist
Sara Barker
B.1980, British

Sara Barker employs painted aluminum sheets, molded brass, and steel brazing, as well as commonplace materials like wood, cardboard, and wire to create three-dimensional sculptural paintings. Drawing on her background in painting, Barker treats metal sheets as a canvas to explore the limits of painted surfaces beyond cavases. By integrating gestural painting into her works, she creates a contrast with industrial forms, resulting in large scale, self-supporting sculptures and wall hangings that engage with composition, scale, and materiality in nuanced ways. Barker has included angular aluminum trays, or ‘trenches,’ as vessels for painting, which are fundamental and adaptable structures that can accommodate diverse forms, depths, configurations, and shapes. Her work highlights a shared language between painting and sculpture that is visceral, tangible, and fundamental to the act of creation, and these pieces create small, self-contained abstract landscapes composed of linear metal shapes. ...

Sara Barker: Artworks
mouth
Sara Barker
mouth, 2020
38 x 40 x 8.5cm
Split
Sara Barker
Split, 2020
20 x 20 x 5cm
Hold
Sara Barker
Hold, 2020
28 x 20 x 6cm
Bunker
Sara Barker
Bunker, 2020
40 x 39.5 x 4.5cm
a child slippinga man losing his hatin the natural weather
Sara Barker
a child slippinga man losing his hatin the natural weather, 2017
99 x 134 x 27cm
Plant is nature Pattern is human
Sara Barker
Plant is nature Pattern is human, 2016
112 x 91 x 30cm
climb
Sara Barker
climb, 2020
13 x 8 x 4cm
PULL
Sara Barker
PULL, 2020
43 x 50 x 16cm
Reason
Sara Barker
Reason, 2020
33.5 x 40 x 6.5cm
Winter receding
Sara Barker
Winter receding, 2020
120 x 240 x 19cm
Ensemble (on Steinway’s back)
Sara Barker
Ensemble (on Steinway’s back), 2020
170 x 142 x 26cm
Crushed to powder returned to earth
Sara Barker
Crushed to powder returned to earth, 2020
190 x 112 x 47cm
Geographies of dust and air
Sara Barker
Geographies of dust and air, 2020
128 x 155 x 70cm
Saturnine night
Sara Barker
Saturnine night, 2018
72 x 74 x 22cm
Wild nature
Sara Barker
Wild nature, 2018
77 x 107.5 x 23cm
hour-watching silver and exact water is in water within within within
Sara Barker
hour-watching silver and exact water is in water within within within, 2017
136 x 174 x 42cm
unnatural councilhands in cold looked blue
Sara Barker
unnatural councilhands in cold looked blue, 2017
211 x 73 x 67cm
the letters F & M are characters
Sara Barker
the letters F & M are characters, 2016
299 x 202 x 227cm
metamorphosis of friends disappeared subtle structures
Sara Barker
metamorphosis of friends disappeared subtle structures, 2016
330 x 162 x 167cm
irradiations across hemispheres
Sara Barker
irradiations across hemispheres, 2016
240 x 185 x 110cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access