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This contemporary artwork features a striking botanical composition against a pastel background. The central element is a lush, vibrant plant with intricate green leaves and tendrils, creating a dynamic and whimsical visual. The use of varied shapes, textures, and shades of green lends a sense of depth and movement to the piece. The artist has skillfully incorporated contrasting elements, such as the miniature figures suspended from the plant, adding a playful and surreal quality to the overall composition. The artwork appears to explore themes of nature, scale, and the interplay between organic and artificial elements, inviting the viewer to engage with its imaginative and thought-provoking imagery. ...
Annette Kelm’s photographs are influenced by still life, advertising and magazine photography, and silent-era Hollywood movies. Meticulously staged, the photographs often have the appearance of hyper-realistic paintings. Within these still life photographs, mundane objects are isolated and removed from their signification and functionality within the still life scenography, rendering them as purely visual forms comprising purely colour and shape. The work serves to address the overlapping realms of consumerism, capitalism and art, and the way in which the medium of photography has historically been complicit in blurring these categories. Formally, Kelm takes reference from Hollywood techniques such as ‘day for night’ – in which camera exposures are altered to make footage shot in the day appear as if shot at night – to create scenes that may be more consciously constructed than they initially appear. ...
Herald St was established in 2005 by Ash L’ange and Nicky Verber. With two spaces across London, Herald St represents twenty-five international artists and participates in multiple art fairs including Art Basel, Frieze London, and Frieze Los Angeles amongst others. Works by Herald St artists are held in many museum collections and are regularly included in exhibitions within public institutions.