COMMERCIAL STREET

Shannon Ebner

COMMERCIAL STREET, 202228.4 x 37.1 x 4.1cm7000 USD
Details
MaterialGalleryLocation
archival pigment print mounted on aluminumSadie Coles HQLondon
Description
Human-crafted. AI-refined.

This black and white photograph captures the interior of what appears to be a repair shop or electronics store. The composition is a grid-like arrangement of various electronic devices, including phones, tablets, and other gadgets, displayed in the store's window. The image employs a stark, high-contrast monochrome aesthetic, emphasizing the geometric shapes and patterns created by the arrangement of the displayed items. The overall effect is one of visual intrigue, inviting the viewer to contemplate the relationship between technology, consumerism, and the physical space of the urban environment. The artist's intention may have been to offer a commentary on the ubiquity of modern technology and its impact on our daily lives. ...

Similar Artworks
The All
Latifa EchakhchThe All, 2023120000 EUR
Battery Tunnel two pipes
Adam McEwenBattery Tunnel two pipes, 2016100000 USD
Blue Bell Pattern Magnolia
Annette KelmBlue Bell Pattern Magnolia, 202412000 EUR
Eukalyptus
Annette KelmEukalyptus, 2021Price on Request
First Man in Situ
Elizabeth NeelFirst Man in Situ, 2016Price on Request
Untitled
Adam McEwenUntitled, 201435000 USD
Eclipse
Alex Da CorteEclipse, 2021Price on Request
We Who Feel Differently
Carlos MottaWe Who Feel Differently, 201216500 USD
Pathways
Roger HiornsPathways, 2022Price on Request
The thermals made me lazy, or The squatters (Smoky meet Monk’s Deflated Sculpture II (2009))
Ryan GanderThe thermals made me lazy, or The squatters (Smoky meet Monk’s Deflated Sculpture II (2009)), 2020Price on Request
Tambour '57
Latifa EchakhchTambour '57, 2012120000 EUR
Trapped in the VIP
Frances StarkTrapped in the VIP, 202330000 USD
DAYS END
Artist
Shannon Ebner
1971 , American

Shannon Ebner was born in 1971 in Englewood, New Jersey. Ebner lives and works in Brooklyn. Shannon Ebner probes both the visual and audible tonalities of communication through her photography, sculpture, installation, and video. The various compositions of Ebner’s writing imbue new understandings into the depicted words through pushing boundaries of form in diverse modes such as her photographic essays.

Shannon Ebner: Artworks
DAYS END
Shannon EbnerDAYS END, 20229000 USD
COMMERCIAL STREET
Shannon EbnerCOMMERCIAL STREET, 20227000 USD
SNOW DRIFT
Shannon EbnerSNOW DRIFT, 20229000 USD
SIGHT OF SOUND
Shannon EbnerSIGHT OF SOUND, 20229000 USD
Leaning Tree
Shannon EbnerLeaning Tree, 200212000 USD
(...)
Shannon Ebner(...), 201030000 USD
And, per se, And
Shannon EbnerAnd, per se, And, 201150000 USD
Black Box Collision A (17)
Shannon EbnerBlack Box Collision A (17), 201415000 USD
Black Box Collision A (21)
Shannon EbnerBlack Box Collision A (21), 201415000 USD
Text Mechanic Combination Generator
Shannon EbnerText Mechanic Combination Generator, 201510500 USD
THREE FELLED TREES
Shannon EbnerTHREE FELLED TREES, 201820000 USD
FRET
Shannon EbnerFRET, 2022100000 USD
Sadie Coles HQ
Gallery
Sadie Coles HQ
London, London, London

Sadie Coles HQ is a London-based contemporary art gallery representing around fifty international artists. The gallery opened in 1997, with an inaugural exhibition of new paintings by American painter John Currin presented in parallel with an offsite show by British artist Sarah Lucas, The Law, at St John Street. This pairing established the international breadth of the gallery's programme, which has since expanded over the past two decades. Since its inception, Sadie Coles HQ has operated from a variety of spaces; most recently mounting offsite shows in Los Angeles and Mayfair in 2020 with a significant new video installation by Martine Syms. In September 2013, Sadie Coles HQ opened its largest space at 62 Kingly Street in Soho, as well as a second space at 1 Davies Street in Mayfair designed by 6a Architects in 2015, and a third space at 8 Bury Street in St James’s in April 2021. ...