DAYS END

Shannon Ebner

DAYS END, 202255.1 x 37.3 x 4.1cmSign in to view price
Details
MaterialGallery
archival pigment print mounted on aluminumKaufmann Repetto
Description
Human-crafted. AI-refined.

This black and white photograph, framed in a sleek black frame, captures an urban landscape through a chain-link fence. The composition is striking, featuring geometric shapes and lines created by the fencing that overlay the cityscape in the distance. The cityscape is hazy and dreamlike, with a blurred car in motion adding a sense of movement to the scene. The overall style and technique suggest a documentary or photojournalistic approach, capturing the urban environment in a contemplative, almost melancholic manner. The artwork seems to explore themes of barriers, confinement, and the relationship between the natural and built environments. ...

Similar Artworks
Spider Stomper
Alex Da CorteSpider Stomper, 2019
146.1 x 299.7 x 11.4cm
Blue Bell Pattern Magnolia
Eclipse
Alex Da CorteEclipse, 2021
185.4 x 185.4 x 7.6cm
Theatrical Property
Alex Da CorteTheatrical Property, 2020
34.9 x 78.7 x 20.3cm
The Great Pretender
Alex Da CorteThe Great Pretender, 2021
186.1 x 186.1 x 7.6cm
Sewn To The Sky (Libra)
Alex Da CorteSewn To The Sky (Libra), 2020
185.4 x 185.4 x 20.3cm
All The King's Horses
Alex Da CorteAll The King's Horses, 2020
182.9 x 182.9 x 7.6cm
A Man's Image
Alex Da CorteA Man's Image, 2019
142.2 x 718.8 x 7.6cm
Memento Mori
Carlos MottaMemento Mori, 2019
101.6 x 88.9cm
Eukalyptus
Annette KelmEukalyptus, 2021
100.4 x 75.3cm
First Man in Situ
Mirror and Bear
Jordan WolfsonMirror and Bear, 2024
237 x 221 x 14.2cm
Holland Tunnel (Yellow)
Wall Rack: sanguine
Matthew BarneyWall Rack: sanguine, 2024
104.1 x 78.7 x 35.6cm
DAYS END
Artist
Shannon Ebner
B.1971, American

Shannon Ebner was born in 1971 in Englewood, New Jersey. Ebner lives and works in Brooklyn. Shannon Ebner probes both the visual and audible tonalities of communication through her photography, sculpture, installation, and video. The various compositions of Ebner’s writing imbue new understandings into the depicted words through pushing boundaries of form in diverse modes such as her photographic essays.

Shannon Ebner: Artworks
DAYS END
Shannon EbnerDAYS END, 2022
55.1 x 37.3 x 4.1cm
COMMERCIAL STREET
Shannon EbnerCOMMERCIAL STREET, 2022
28.4 x 37.1 x 4.1cm
SNOW DRIFT
Shannon EbnerSNOW DRIFT, 2022
55.1 x 37.3 x 4.1cm
SIGHT OF SOUND
Shannon EbnerSIGHT OF SOUND, 2022
55.1 x 37.3 x 4.1cm
Leaning Tree
(...)
Shannon Ebner(...), 2010
300 x 200cm
And, per se, And
THREE FELLED TREES
Shannon EbnerTHREE FELLED TREES, 2018
101.6 x 202.8 x 0.8cm
FRET
Shannon EbnerFRET, 2022
294 x 602cm
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...

Unlock Price & Inquiry Access