Lama no Sapato
Details
MaterialGallery
thirteen sculptures made of dyed papier machéMadragoa
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a minimalist, industrial design with a prominent use of natural wood and exposed ceiling beams. The dominant colors are neutral tones of white and the warm hue of the wooden floor. Subject Matter: The piece consists of a series of circular, woven structures placed in a row along the length of the gallery space. These structures appear to be seating or sculptural elements. Artistic Style and Technique: The artwork employs a simple, yet striking geometric composition. The repetition of the circular forms and the clean, linear layout create a sense of order and balance. Context: This work likely reflects the artist's interest in exploring the relationship between form, function, and the architectural space. The use of natural materials and the minimalist approach suggest a contemporary, conceptual artistic style. ...

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Belén Uriel
Artist
Belén Uriel
B.1974, Spanish

Belén Uriel’s art practice is centered on household objects and how the way we interrelate with them can condition our social habits. She concentrates on the sculptural qualities of materials such as glass and metal in the rendering of organic shapes that are originated by the design of objects that would accommodate, sustain or have a relation with the human body. These elements, rearranged by the artist, seem to transform into anatomical parts themselves, partially reconstructing and going back to the bodies that indirectly inspired their form. ...

Belén Uriel: Artworks
BACKWARD
Belén Uriel
BACKWARD, 2020
51 x 33 x 9cm
Shilouette
Belén Uriel
Shilouette, 2012
80 x 70 x 85cm ⌀2cm
Marquise
Belén Uriel
Marquise, 2019
7 x 63 x 12cm
NSEO
Belén Uriel
NSEO, 2021
185 x 110 x 110cm
Arnês
Belén Uriel
Arnês, 2021
48 x 25 x 21cm
Não fazer
Belén Uriel
Não fazer, 2019
183 x 50 x 7cm
Lama no Sapato
Parapaná
Belén Uriel
Parapaná, 2021
140 x 65 x 70cm
Between
Belén Uriel
Between, 2021
24 x 19 x 16cm
The fairy place (3)
Belén Uriel
The fairy place (3), 2018
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Carga
Belén Uriel
Carga, 2019
160 x 60 x 130cm
Rose
Belén Uriel
Rose, 2016
30 x 20 x 20cm
Elf hat
Belén Uriel
Elf hat, 2015
40 x 20 x 20cm
QUECHUAS
Belén Uriel
QUECHUAS, 2020
166 x 60 x 60cm
Marioneta
Belén Uriel
Marioneta, 2019
150 x 50 x 60cm
AR
Belén Uriel
AR, 2019
150 x 70 x 80cm
Material de Relleno
Belén Uriel
Material de Relleno, 2018
13 x 20 x 4cm
Continuidade
Belén Uriel
Continuidade, 2018
160 x 120 x 25cm
Maquinaria
Belén Uriel
Maquinaria, 2018
110 x 75 x 20cm
Window display (Saks Fifth Avenue)
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Window display (Saks Fifth Avenue), 2013
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Untitled (braço e garrafa azul)
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Untitled (braço e garrafa azul), 2018
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Untitled (torso e perna)
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Untitled (torso e perna), 2018
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Btween (capacete), 2022
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Weezde (II), 2021
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Shell (3014)
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Shell (3014), 2024
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Shell (9001), 2024
162 x 50 x 55cm
Inço
Belén Uriel
Inço, 2024
160 x 60 x 7cm
Untitled
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Untitled, 2019
80 x 28 x 28cm
Pulso
Belén Uriel
Pulso, 2021
160 x 55 x 55cm
Madragoa
Gallery
Madragoa
Lisbon

MADRAGOA is a contemporary art gallery founded in 2016 in the homonymous neighborhood of Lisbon’s historical center. Since its beginning, the gallery has been an early supporter of a number of international young artists such as Adrián Balseca, Rodrigo Hernández, Renato Leotta, Buhlebezwe Siwani, Joanna Piotrowska, and Yuli Yamagata, whose first productions and exhibition have been produced and promoted by the gallery and often presented for the first time in Portugal. Moreover, Madragoa launched the careers of young Portuguese artists such as Sara Chang Yan, Luís Lázaro Matos, Gonçalo Preto, and Jaime Welsh, giving them visibility on the international scene. From its peripheral location in Europe, MADRAGOA’s project focuses on how to set a deep conversation with the city and its extraordinary potential, setting a dialogue between global artistic practices and local craftsmanship and ideas. The gallery always created experiences of research and production for its artists locally and promotes its program also through the participation in a number of international art fairs, gallery exchanges, and exhibition projects. MADRAGOA is currently recognized as one of the most innovative realities in the Portuguese art scene, while it succeeded to obtain visibility internationally throughout its years of its activity. At the moment, the gallery actively represents artists from Portugal, Italy, Ecuador, Mexico, Poland, Spain, Brazil and South Africa. ...

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