Não fazer

Belén Uriel

Não fazer, 2019183 x 50 x 7cmPrice on Request
Details
MaterialGalleryLocation
bullseye glass and nickel plated ironMadragoaLisbon
Description
Human-crafted. AI-refined.

This minimalist sculptural work features a stark, industrial-looking frame composed of thin, metal rods arranged in an arched shape. Prominently displayed within this frame are two vibrant, cylindrical objects in a warm, orange hue, perhaps made of a synthetic material. The overall composition is visually striking, with the simple, geometric forms and contrasting colors creating a sense of balance and tension. The artist's use of basic geometric shapes, industrial materials, and bold colors reflects an avant-garde, contemporary aesthetic, inviting the viewer to contemplate the relationship between form, function, and the broader themes of materiality and abstraction in modern art. ...

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Belén Uriel
Artist
Belén Uriel
1974 , Spanish

Belén Uriel’s art practice is centered on household objects and how the way we interrelate with them can condition our social habits. She concentrates on the sculptural qualities of materials such as glass and metal in the rendering of organic shapes that are originated by the design of objects that would accommodate, sustain or have a relation with the human body. These elements, rearranged by the artist, seem to transform into anatomical parts themselves, partially reconstructing and going back to the bodies that indirectly inspired their form.

Belén Uriel: Artworks
BACKWARD
Belén UrielBACKWARD, 2020Price on Request
Shilouette
Belén UrielShilouette, 2012Price on Request
Marquise
Belén UrielMarquise, 2019Price on Request
NSEO
Belén UrielNSEO, 2021Price on Request
Arnês
Belén UrielArnês, 2021Price on Request
Não fazer
Belén UrielNão fazer, 2019Price on Request
Lama no Sapato
Belén UrielLama no Sapato, 2014Price on Request
Parapaná
Belén UrielParapaná, 2021Price on Request
Between
Belén UrielBetween, 2021Price on Request
The fairy place (3)
Belén UrielThe fairy place (3), 2018Price on Request
Carga
Belén UrielCarga, 2019Price on Request
Rose
Belén UrielRose, 2016Price on Request
Elf hat
Belén UrielElf hat, 2015Price on Request
QUECHUAS
Belén UrielQUECHUAS, 202015000 EUR
Marioneta
Belén UrielMarioneta, 201912000 EUR
AR
Belén UrielAR, 201912000 EUR
Material de Relleno
Belén UrielMaterial de Relleno, 20183500 EUR
Continuidade
Belén UrielContinuidade, 201815000 EUR
Maquinaria
Belén UrielMaquinaria, 201812000 EUR
Window display (Saks Fifth Avenue)
Belén UrielWindow display (Saks Fifth Avenue), 20139000 EUR
Untitled (braço e garrafa azul)
Belén UrielUntitled (braço e garrafa azul), 20188000 EUR
Untitled (torso e perna)
Belén UrielUntitled (torso e perna), 20189000 EUR
Btween (capacete)
Belén UrielBtween (capacete), 20224000 EUR
Weezde (II)
Belén UrielWeezde (II), 20215000 USD
Mask-on 2 (capacete)
Belén UrielMask-on 2 (capacete), 20225000 USD
Shell (3014)
Belén UrielShell (3014), 202416000 EUR
Shell (9001)
Belén UrielShell (9001), 202416000 EUR
Inço
Belén UrielInço, 20249000 EUR
Untitled
Belén UrielUntitled, 201910000 EUR
Pulso
Belén UrielPulso, 202112000 EUR
Madragoa
Gallery
Madragoa
Lisbon

MADRAGOA is a contemporary art gallery founded in 2016 in the homonymous neighborhood of Lisbon’s historical center. Since its beginning, the gallery has been an early supporter of a number of international young artists such as Adrián Balseca, Rodrigo Hernández, Renato Leotta, Buhlebezwe Siwani, Joanna Piotrowska, and Yuli Yamagata, whose first productions and exhibition have been produced and promoted by the gallery and often presented for the first time in Portugal. Moreover, Madragoa launched the careers of young Portuguese artists such as Sara Chang Yan, Luís Lázaro Matos, Gonçalo Preto, and Jaime Welsh, giving them visibility on the international scene. From its peripheral location in Europe, MADRAGOA’s project focuses on how to set a deep conversation with the city and its extraordinary potential, setting a dialogue between global artistic practices and local craftsmanship and ideas. The gallery always created experiences of research and production for its artists locally and promotes its program also through the participation in a number of international art fairs, gallery exchanges, and exhibition projects. MADRAGOA is currently recognized as one of the most innovative realities in the Portuguese art scene, while it succeeded to obtain visibility internationally throughout its years of its activity. At the moment, the gallery actively represents artists from Portugal, Italy, Ecuador, Mexico, Poland, Spain, Brazil and South Africa. ...