Mach
Details
MaterialGallery
Description
Human-crafted. AI-refined.

The artwork features a minimalist composition of vertical lines in shades of gray, creating a sense of depth and dimensionality. The overall effect is one of simplicity and restraint, with the subtle variations in tone and the central light-colored area drawing the viewer's attention. The painting's style and technique reflect the artist's interest in exploring the formal qualities of the medium, emphasizing the inherent materiality of the canvas and paint. This piece exemplifies the artist's engagement with the principles of abstract expressionism and their commitment to conveying a meditative, contemplative mood through the use of elemental visual elements. ...

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Beltrán Obregón
Artist
Beltrán Obregón
B.1964, Colombian

Beltrán Obregón is a multidisciplinary artist who works across video, painting, photography and sculpture. Since the beginning of the 1990's Obregón has developed an experimental set of works that draw from particular artists and movements from the 20th century European and Latin-American avantgarde. The artist cites Francis Picabia, Italian Futurism and Kinetic Art as having a particularly strong influence upon his practice. Obregón has an ongoing interest in industrial history, seeking to trace the ever-shifting relationship between humanity and machinery. Past projects have seen him tackle international relations as well as critically engaging with formal art history. His painted series Apollo (2000) for example recasts the sprawling machinery within rockets as art historical subjects, and his 2009 project Committee for the Appreciation of Colour and Form brought a playful perspective to Albers’ canonized theories of colour. Often combining audio visual components with his paintings or sculptures in the gallery space, Obregón creates unexpectedly discursive installations which draw on such a wide range of art historical, political and social threads. The artist now lives and works in Bogotá and is a part-time teacher at the Universidad de Los Andes. ...

Beltrán Obregón: Artworks
Sin Titulo. Serie extrusiones #4
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Sin Titulo. Serie extrusiones #4, 2021
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Periférica Amarilla
Beltrán Obregón
Periférica Amarilla, 2021
36 x 43cm
Periférica Azul
Beltrán Obregón
Periférica Azul, 2021
43 x 56cm
Periférica Ocre Oscuro
Beltrán Obregón
Periférica Ocre Oscuro, 2021
49 x 56cm
Sin Titulo. Serie Periféricas #9
Beltrán Obregón
Sin Titulo. Serie Periféricas #9, 2021
35.3 x 40.5cm
Sin Titulo. Serie Periféricas #8
Beltrán Obregón
Sin Titulo. Serie Periféricas #8, 2020
32 x 36cm
Sin Titulo. Serie Periféricas #7
Beltrán Obregón
Sin Titulo. Serie Periféricas #7, 2020
53 x 45cm
Serie periféricas #6 (A
Beltrán Obregón
Serie periféricas #6 (A, 2019
43 x 56cm
Periférica #2
Beltrán Obregón
Periférica #2, 2019
56 x 43cm
Periférica #5
Beltrán Obregón
Periférica #5, 2019
56 x 43cm
Estela (Alizarin)
Beltrán Obregón
Estela (Alizarin), 2003
188 x 159cm
Mach
Pintura calibradora 3
Beltrán Obregón
Pintura calibradora 3, 2009
97 x 50cm
Pintura calibradora 4
Beltrán Obregón
Pintura calibradora 4, 2009
97 x 50cm
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...

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