Sin noticias de Dios #2

Nohemí Pérez

Sin noticias de Dios #2, 2004170 x 150cmSign in to view price
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Description
Human-crafted. AI-refined.

The painting features a predominantly dark and brooding color palette, with a striking contrast between the deep, shadowy tones and the vibrant blue backdrop. The overall composition is unsettling, with the central figure appearing to be in a state of distress or vulnerability. The artist's use of expressive brushwork and emotive rendering suggests a powerful exploration of the human condition. While the specific subject matter remains ambiguous, the work evokes a sense of psychological intensity and a deeper examination of the human experience. ...

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Artist
Nohemí Pérez
B.1964, Colombian

The multidisciplinary practice of Nohemí Pérez, revolves around the relationship between men and nature; the conflicts, tensions and genesis that arise from this constant friction. Based on the notions of architecture, cinema and sociology, the artist proposes a rereading of the Catatumbo territory; a geographical region in the border between Colombia and Venezuela with a very particular natural and sociocultural ecosystem. From the conquest until today, Catatumbo is the scene of multiple conflicts that have been transformed to compose a complex plot of anachronistic situations characteristic of Latin American contemporaneity. Illegal armed groups of right, left, native tribes, evangelical missionaries and large multinationals of mining and drug trafficking coexist in this jungle region. Very often, Pérez uses charcoal in her work as a reference to mining; coal itself is also a recurring element, with which she aims to make visible the exploitation of natural resources and at the same time the violence that this triggers. From the territory of her memory and her affections, Nohemí Pérez reconstructs the history of her origin and thus, collects the voices of those who live and have lived the Catatumbo from the close emotional ties of their experience. A particular interest in Nohemí’s work is to draw new symbolic and geographical maps that correspond to the various realities of the Catatumbo to allow it to appear on the scene of reconstruction and peace. ...

Nohemí Pérez: Artworks
La Batea
Nohemí PérezLa Batea, 2021
210 x 134cm
Bosque No. 2
Bosque No. 4
Bertania
Nohemí PérezBertania, 2020
66 x 100cm
Manuel
Nohemí PérezManuel, 2015
140 x 250cm
Los sueños de María
Darién
Nohemí PérezDarién, 2024
220 x 300cm
Apuntes para Darién No. 9
Apuntes para Darién No. 10
Apuntes para Darién No. 2
Apuntes para Darién No. 7
Apuntes para Darién No. 5
Apuntes para Darién No. 8
Apuntes para Darien No. 6
Apuntes para Darién No. 4
Apuntes para Darién No. 3
Apuntes para Darién No. 1
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...