All the time we spent here II

Ben Edmunds

All the time we spent here II, 202240 x 30cmSign in to view price
Details
Material
fabric dye and acrylic on canvas with eyelets, etched bolts carbon frame and webbing
Description
Human-crafted. AI-refined.

The artwork is a minimalist composition of contrasting colors. The dominant elements are a deep black panel and a vibrant teal-green gradient background. The overall arrangement is striking and geometric, with the black panel framing the edges and creating a sense of depth. The artwork appears to be a mixed media piece, utilizing both physical and digital elements to achieve its visual impact. The simplicity of the design and the interplay of light and shadow suggest an exploration of technology, materiality, and the relationship between form and space. This contemporary work invites the viewer to contemplate the interplay of color, light, and visual perception. ...

Similar Artworks
Collapse
Richard Dean Hughes
Collapse, 2022
68 x 43 x 23cm
Sting to your bow
Jessie Makinson
Sting to your bow, 2024
49.5 x 30.5cm
Sound Bleed
Paloma Proudfoot
Sound Bleed, 2025
136 x 102.5 x 7.5cm
Learnt Behaviour
Sophie Ruigrok
Learnt Behaviour, 2022
57 x 37cm
[UNTITLED] IV
Remi Ajani
[UNTITLED] IV, 2022
35 x 35cm
Ribs in ribbons
Jessie Makinson
Ribs in ribbons, 2023
120 x 200cm
Waiting for you (Part five)
Sophie Ruigrok
Waiting for you (Part five), 2022
39 x 39cm
Untitled
ML Poznanski
Untitled, 2023
69.5 x 44cm
Die Now, Pay Later
Juno Calypso
Die Now, Pay Later, 2018
102 x 140cm
Symptom
Paloma Proudfoot
Symptom, 2024
176 x 195 x 4cm
Path
Opinel Hoard Shadow
Eddie Peake
Opinel Hoard Shadow, 2017
44 x 51cm
Escapist
Artist
Ben Edmunds
B.1994, British

Ben Edmunds (b. 1994, Norwich, UK) creates his colour field paintings by layering mists of fabric dyes, sprayed directly onto washed canvas. Over time, the colours shift and bleed into one another to create a spectrum of gradients across the painting: erasing definite distinctions between green, blue, purple. Using only three dyes: cyan, yellow and magenta, Edmunds is particularly interested in blue as a colour that almost doesn’t exist in nature. It appears in his paintings only as an ever-changing combination of cyan and magenta, something that shifts between sky and the sea. As an open-ended colour, it represents dreaming, exploration and adventure. For Edmunds, painting is an adventure for artists and viewers, drawing from his personal history of sailing, windsurfing and cycling, he frames abstraction as an adventure sport. In 2019, Edmunds registered his company Aspirational Equipment - a pseudo-sports brand for romantics, creating “tools for dreamers”. Under its umbrella of paintings, objects and functional garments, it questions the supposed anti-utilitarianism of painting and asks the question “What can an artwork do?” ...

Ben Edmunds: Artworks
Until the dream is done

Ben Edmunds
Until the dream is done
, 2024
102 x 77cm
Escapist
Ben Edmunds
Escapist, 2020
207 x 162cm
All the time we spent here II
Ben Edmunds
All the time we spent here II, 2022
40 x 30cm
As you still wonder why
Ben Edmunds
As you still wonder why, 2022
40 x 30cm
It's there to find // if you have the time
Ben Edmunds
It's there to find // if you have the time, 2022
28 x 28cm
Unlock Price & Inquiry Access