No title

Bill Lynch

No title43 x 35.5cm6000 USD
Details
MaterialGalleryLocation
conté on paperThe approachLondon
Description
Human-crafted. AI-refined.

This minimalist sketch features a simple red line drawing on a predominantly white background, with a film strip-like border along the edges. The central visual element is a loose, expressive line that appears to depict a hand or gesture, conveying a sense of movement and energy through its dynamic, gestural quality. The artwork's sparse yet striking composition and use of limited color highlights the artist's focus on capturing a fleeting moment or sensation through the economical use of line and form. The overall style and technique suggest an exploration of the essence of human expression and experience through an abstract, almost improvisational approach to mark-making. ...

Similar Artworks
Gli Esperti
Enzo CucchiGli Esperti, 202190000 EUR
Mermaid Series No. 2
Ashley BickertonMermaid Series No. 2, 2020Price on Request
Untitled
Richard PrinceUntitled, 199815000 USD
Flotsam Painting (Large Size)
Ashley BickertonFlotsam Painting (Large Size), 2019Price on Request
燃える魚の背/Tomorrow will be even more interesting /枝を掴み,海を逃れ
Kenjiro Okazaki燃える魚の背/Tomorrow will be even more interesting /枝を掴み,海を逃れ, 202312000 USD
Calla Lily
Robert MapplethorpeCalla Lily, 198750000 USD
Spiral Nebula (Large)
Kiki SmithSpiral Nebula (Large), 201785000 USD
Katsura 14
Taro ShinodaKatsura 14, 202018000 EUR
zweiterjulizweitausendundvierundzwanzig
Ugo Rondinonezweiterjulizweitausendundvierundzwanzig, 2024Price on Request
Women. Sketches for the Corsets
Maria Pinińska-BereśWomen. Sketches for the Corsets, 19578000 EUR
Senza titolo
Enzo CucchiSenza titolo, 201516000 EUR
Bill Lynch
Artist
Bill Lynch
1960 , American

Born in Albuquerque, New Mexico, Bill Lynch was an American painter who studied at Cooper Union in New York during the 1980s. Dedicating himself to the delicate observation of the minutia of wildlife, Lynch lived most of his adult life in California. Admiring the west coast’s lush landscapes, fauna, and winged beings, he later returned to New York City for a brief stint in Brooklyn, prior to settling back in Raleigh, North Carolina, to be closer to his family before his death in 2013. What remains a constant in his work throughout these different environments is his immense adoration of the intricacies of ecology which is replicated in his artistic process. Using salvaged piece of sandalwood as his canvas, Lynch would confidently apply brushstrokes laden with paint to bring energizing scenes of buds flowering or waterfalls gushing into view. Working to incorporate the natural state of the plywood into the paintings, knots and grains in his material would form setting suns or ripples of water. His organic linework emulates the technical style of traditional Chinese and Japanese painting which he admired, but the distinctly American vistas in his work lay testament to his undying love for the natural habitats of his homeland. ...

Bill Lynch: Artworks
No title [Blue and White Planter Branch and Flowers]
Bill LynchNo title [Blue and White Planter Branch and Flowers], nullPrice on Request
Still Life with Chinese Painting
Bill LynchStill Life with Chinese Painting, nullPrice on Request
No title [Clouds and Sunlight Trees on the Left]
Bill LynchNo title [Clouds and Sunlight Trees on the Left], nullPrice on Request
No title [Bird on Branch and Three Plates]
Bill LynchNo title [Bird on Branch and Three Plates], nullPrice on Request
No title [Garden with Pink Flowers] (Recto), No title [Garden with White and Blue Flowers] (Verso)
Bill LynchNo title [Garden with Pink Flowers] (Recto), No title [Garden with White and Blue Flowers] (Verso), nullPrice on Request
No title [Pomegranates and Branches]
Bill LynchNo title [Pomegranates and Branches], nullPrice on Request
No title
Bill LynchNo title, nullPrice on Request
No title [Seashore through Branches]
Bill LynchNo title [Seashore through Branches], nullPrice on Request
No title [Landscape with Sun]
Bill LynchNo title [Landscape with Sun], nullPrice on Request
Tea Cup on Forest Floor
Bill LynchTea Cup on Forest Floor, 1993Price on Request
Brooklyn Lilly Pond
Bill LynchBrooklyn Lilly Pond, 1991Price on Request
Waterfall
Bill LynchWaterfall, 1993Price on Request
No title [Waterfall]
Bill LynchNo title [Waterfall], nullPrice on Request
No title [Sammy Watching]
Bill LynchNo title [Sammy Watching], nullPrice on Request
No title [Crow]
Bill LynchNo title [Crow], nullPrice on Request
No title [Silver Dollar Branches]
Bill LynchNo title [Silver Dollar Branches], 199065000 USD
Still Life with Milkweed Seed
Bill LynchStill Life with Milkweed Seed, 199058000 USD
No title [Yellow Orange and Blue Little Flowers]
Bill LynchNo title [Yellow Orange and Blue Little Flowers], 199034000 USD
No title [Bouquet on Blue Background]
Bill LynchNo title [Bouquet on Blue Background], 199045000 USD
No title [Struggle]
Bill LynchNo title [Struggle], 199058000 USD
No title
Bill LynchNo title, null6000 USD
Four Corners Sunset
Bill LynchFour Corners Sunset, 1994120000 USD
No title
Bill LynchNo title, null6000 USD
No title
Bill LynchNo title, null6000 USD
No title
Bill LynchNo title, null6000 USD
Self-Portrait as a Pine Tree 2
Bill LynchSelf-Portrait as a Pine Tree 2, 199060000 USD
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...