No title [Clouds and Sunlight Trees on the Left]

Bill Lynch

No title [Clouds and Sunlight Trees on the Left]121.9 x 61cmSign in to view price
Details
MaterialGallery
oil on woodThe approach
Description
Human-crafted. AI-refined.

This abstract painting features a vibrant and dynamic composition of colors, shapes, and textures. The canvas is dominated by a swirling, organic blend of blues, whites, and browns, with accents of yellow and black that add depth and visual interest. The brushstrokes are expressive, creating a sense of movement and energy across the surface. The subject matter is ambiguous, hinting at natural elements like clouds, foliage, and landscapes, but the overall effect is one of subjective, emotive exploration. The artist's style and technique suggest a contemporary, experimental approach to painting, inviting the viewer to engage with the work on an intuitive, emotional level. ...

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Bill Lynch
Artist
Bill Lynch
B.1960, American

Born in Albuquerque, New Mexico, Bill Lynch was an American painter who studied at Cooper Union in New York during the 1980s. Dedicating himself to the delicate observation of the minutia of wildlife, Lynch lived most of his adult life in California. Admiring the west coast’s lush landscapes, fauna, and winged beings, he later returned to New York City for a brief stint in Brooklyn, prior to settling back in Raleigh, North Carolina, to be closer to his family before his death in 2013. What remains a constant in his work throughout these different environments is his immense adoration of the intricacies of ecology which is replicated in his artistic process. Using salvaged piece of sandalwood as his canvas, Lynch would confidently apply brushstrokes laden with paint to bring energizing scenes of buds flowering or waterfalls gushing into view. Working to incorporate the natural state of the plywood into the paintings, knots and grains in his material would form setting suns or ripples of water. His organic linework emulates the technical style of traditional Chinese and Japanese painting which he admired, but the distinctly American vistas in his work lay testament to his undying love for the natural habitats of his homeland. ...

Bill Lynch: Artworks
No title
Bill LynchNo title
43.2 x 35.6cm
Four Corners Sunset
No title
Bill LynchNo title
43.2 x 35.6cm
No title
Bill LynchNo title
43 x 35.5cm
No title
Bill LynchNo title
43 x 35.5cm
No title
Bill LynchNo title
43 x 35.5cm
Brooklyn Lilly Pond
Waterfall
Bill LynchWaterfall, 1993
205.7 x 121.9cm
No title [Waterfall]
Bill LynchNo title [Waterfall]
158.8 x 121.9 x 2.5cm
No title [Sammy Watching]
No title [Crow]
Bill LynchNo title [Crow]
135.9 x 86.4 x 2.5cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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