Di-kem (i)
Di-kem (i)

Brett Ginsburg

Di-kem (i), 202250 x 60cmSign in to view price
Details
Material
acrylic on canvas
Description
Human-crafted. AI-refined.

This abstract artwork features a dominant pink and red color palette, with a swirling, organic composition that creates a sense of movement and energy. The use of bold brushstrokes and textured layers suggests an expressive and gestural approach to the painting. The subject matter appears to be a cosmic or celestial vision, with subtle hints of a circular or spherical form emerging from the layers of color. This piece reflects the artist's exploration of the subconscious and the materiality of paint, capturing the dynamic interplay of form, color, and texture. ...

Similar Artworks
Domestication
Cezary PoniatowskiDomestication, 2020
72 x 59 x 18cm
Untitled
Cezary PoniatowskiUntitled, 2022
125 x 100 x 20cm
Phantom Pleasures
Cezary PoniatowskiPhantom Pleasures, 2020
64 x 52 x 9cm
Impression Tray No.1
Quay Quinn WolfImpression Tray No.1, 2023
21.6 x 7.6 x 3.8cm
Untitled
Libasse KaUntitled, 2025
50 x 60.5 x 2.5cm
Little Mermaid
Yves SchererLittle Mermaid, 2023
52 x 135 x 67.5cm
Untitled
Cezary PoniatowskiUntitled, 2018
86 x 72cm
Broad Daylight
Yves SchererBroad Daylight, 2023
50.5 x 40.5 x 4cm
Untitled
Libasse KaUntitled, 2023
198 x 140 x 2.5cm
Untitled
Cezary PoniatowskiUntitled, 2023
67 x 35 x 12cm
002
Quay Quinn Wolf002, 2024
38 x 56 x 25cm
Burrow
Cezary PoniatowskiBurrow, 2020
126 x 104 x 29cm
Child Attacks!
Romeo Gómez LópezChild Attacks!, 2023
61 x 46 x 33cm
No Tears in Rain
Namib
Jenna BitarNamib, 2024
160 x 110cm
Enchantment
West
Talita ZaragozaWest, 2024
78.74 x 93.35cm
Ungrounding #17
Di-kem (i)
Artist
Brett Ginsburg
B.1990, American

Brett Ginsburg operates at the intersection of painting and sculpture, investigating the unseen technical and biological systems that permeate our environments. He draws from entomology, evolutionary biology, and infrastructural systems to inform visual narratives that transcend conventional representation. Employing techniques like monoprinting on plexiglass and mold-making processes, Ginsburg layers acrylic pigments in reverse—producing paint membranes that he transfers onto canvas, creating surfaces marked by interference and tactile complexity. This method generates a visual rhythm of fragmentation and cohesion, reflecting the simultaneity of sensory input in our attention-driven culture. His imagery often arises from a fusion of sources—field observations, digital scans, microscope imagery, and research artifacts—scaled and recombined to form abstract propositions rather than definitive narratives. Through this generative process, Ginsburg navigates tensions between chaos and order, revealing how technology, biology, and perception converge in the creation of meaning. By compressing industrial materials and diverse modes of representation into unified picture planes, his work invites viewers into a nuanced exploration of structure, scale, and the unseen systems that both structure and elude our understanding. ...

Brett Ginsburg: Artworks
Di-kem (i)
Di-kem (ii)