Enchantment

Elisa Bertaglia

Enchantment, 202430 x 23cmSign in to view price
Details
Material
marker, pastels and oil on paper
Description
Human-crafted. AI-refined.

The artwork presents a minimalist composition featuring the word "DOCENT" in a plain, sans-serif font against a white background. The stark, monochromatic aesthetic and the use of a single word as the central element create a clean, conceptual design. The piece appears to employ a straightforward, typographic approach that emphasizes the visual impact of the text itself. The artist's intention behind this work may be to prompt reflection on the role of the docent, the museum professional who guides and educates visitors, or to explore the power of language and its ability to convey meaning through simplicity. ...

Similar Artworks
Untitled (Portal)
Winston w Raibi
Meriem Bennani
Winston w Raibi, 2017
137.16 x 202.56cm
EDEn II
Anastasia Komar
EDEn II, 2024
166.9 x 130.8 x 17.6cm
Sphinx 14
Bunny Rogers
Sphinx 14, 2023
32.5 x 43 x 3cm
Egyptolingus on the beach
Meriem Bennani
Egyptolingus on the beach, 2012
97.2 x 124.5cm
Chiasmus 3 (fuchsia/black)
Jessi Li
Chiasmus 3 (fuchsia/black), 2024
53.34 x 38.1 x 33.02cm
Sphinx (blue)
Bunny Rogers
Sphinx (blue), 2023
32.5 x 43 x 3cm
Yours Faithfully (Competitors' products cheaper)
Rosa Aiello
Yours Faithfully (Competitors' products cheaper), 2022
23.3 x 19 x 2.2cm
Sphinx 3
Bunny Rogers
Sphinx 3, 2023
32.5 x 43 x 3cm
49 (emerald)
Jessi Li
49 (emerald), 2024
33.02 x 33.02 x 5.08cm
Portrait of Amal on the CAPS
Meriem Bennani
Portrait of Amal on the CAPS, 2021
123.82 x 82.55cm
EDEn I
Anastasia Komar
EDEn I, 2024
126.2 x 152.2 x 20.8cm
Mother of All Demos II
American Artist
Mother of All Demos II, 2021
127 x 150 x 75cm
Untitled
Bunny Rogers
Untitled, 2021
220.3 x 173.3 x 7.5cm
Chiasmus 4 (rainbow)
Jessi Li
Chiasmus 4 (rainbow), 2024
40.64 x 17.78 x 40.64cm
blue are the words i say and what i think, 2
American Artist
blue are the words i say and what i think, 2, 2021
122 x 244 x 15cm
Latehomecomer (My Father’s Conception)
Rosa Aiello
Latehomecomer (My Father’s Conception), 2024
35 x 20cm
That Water Drop
Meriem Bennani
That Water Drop, 2012
162 x 235cm
Sphinx 4
Bunny Rogers
Sphinx 4, 2023
32.5 x 43 x 3cm
Chiasmus 1 (black/amber)
Jessi Li
Chiasmus 1 (black/amber), 2023
48.26 x 33.02 x 35.56cm
Maintenance (failure; of cover, spine)
Rosa Aiello
Maintenance (failure; of cover, spine), 2025
55.5 x 34.5 x 7cm
Sphinx 8
Bunny Rogers
Sphinx 8, 2023
32.5 x 43 x 3cm
47 (red)
Jessi Li
47 (red), 2024
20.32 x 20.32 x 5.08cm
Clione II
Anastasia Komar
Clione II, 2024
43.18 x 31.75 x 10.16cm
Indefinite Pitch
La Âtika
Meriem Bennani
La Âtika, 2020
45.4 x 43.5 x 10.8cm
Windy
Meriem Bennani
Windy, 2022
243.8 x 152.4 x 152.4cm
First Man in Situ
Elizabeth Neel
First Man in Situ, 2016
185.4 x 116.8cm
Ghost Joan 3
Bunny Rogers
Ghost Joan 3, 2022
220.3 x 173.3 x 7.5cm
Bisoufleur
Mimosa Echard
Bisoufleur, 2019
29.8 x 19.9cm
Uncle Charlie, you look beautiful
Nana Wolke
Uncle Charlie, you look beautiful, 2022
180 x 230cm
Chiasmus 5 (pink/orange)
Jessi Li
Chiasmus 5 (pink/orange), 2024
55.88 x 53.34 x 48.26cm
The Second Person
James N. Kienitz Wilkins
The Second Person, 2018
30 x 35.5cm
Blue Life Seminar
American Artist
Blue Life Seminar, 2019
150 x 71 x 53cm
EDEn III
Anastasia Komar
EDEn III, 2024
128.8 x 159.8 x 215cm
Latehomecomer (Pork Fat)
Rosa Aiello
Latehomecomer (Pork Fat), 2024
35 x 20cm
Elisa Bertaglia
Artist
Elisa Bertaglia
B.1983, Italian

Elisa Bertaglia (1983, Rovigo, Italy) is an Italian visual artist based in Brooklyn, who in her artistic research, freely pursues layers of experimentation by using changing mediums and techniques. Despite starting her career primarily as a painter, in recent years Bertaglia’s practice has become more eclectic and experimental, leading her to create wall drawings, sculptures, ceramics, installations, large or small scale paintings, and site-specific projects. Through a philosophical and conceptual approach, the artist investigates symbols in contemporary society and its short circuit which in recent years brought forth an identity and communication crisis. In particular, she analyzes the symbol as a semantic threshold in which a signifier and a meaning merge to communicate a universal message. Her research is strongly influenced by oriental philosophical doctrines, which develops a peculiar vision of time and space in her work. As demonstrated from the titles of her work, Bertaglia’s work is open to different spheres of influence. Among these, literature and cinema have always played a central role. ...

Elisa Bertaglia: Artworks
Hic sunt Dracones
Elisa Bertaglia
Hic sunt Dracones, 2020
130 x 100cm
Hic sunt Dracones
Elisa Bertaglia
Hic sunt Dracones, 2020
110 x 90cm
Enchantment
Elisa Bertaglia
Enchantment, 2024
30 x 23cm
Brambles
Unlock Price & Inquiry Access