Head-back Chin-up (No No to Knock-Knockswood)

Brian Griffiths

Head-back Chin-up (No No to Knock-Knockswood), 202382 x 30 x 32cmSign in to view price
Details
MaterialGallery
plywood, metal, cardboard, paint, tools, wire, fixtures and fittingsSans titre
Description
Human-crafted. AI-refined.

This contemporary artwork features an assemblage of various wooden objects and tools, including a wooden block, dowels, and other cylindrical elements. The predominant colors are warm tones of orange and brown, creating a rustic, earthy aesthetic. The arrangement of the components suggests a playful and experimental approach, with the orange sphere adding a whimsical touch. The piece appears to explore the interplay of form, texture, and found objects, showcasing the artist's interest in repurposing materials and creating visually compelling sculptures. The overall composition and use of natural materials reflect a minimalist and utilitarian sensibility, inviting the viewer to consider the relationships between the disparate elements. ...

Similar Artworks
FINGERS
Jyll Bradley
FINGERS, 2022
31 x 22 x 4cm
Graft (Green)
Jyll Bradley
Graft (Green), 2023
168 x 11 x 11cm
Nine Yellow Ones
Adelaide Cioni
Nine Yellow Ones, 2024
130 x 130cm
You Are My) True Form IV
Adelaide Cioni
You Are My) True Form IV, 2024
290 x 240cm
Graft (Green)
Jyll Bradley
Graft (Green), 2023
168 x 11 x 11cm
mumma's drawing
Josiane M.H. Pozi
mumma's drawing, 2024
32.3 x 44.6 x 3.4cm
Graft (Green and Dichroic)
Jyll Bradley
Graft (Green and Dichroic), 2023
168 x 11 x 11cm
Untitled (GI-19-3a), & Untitled (GI-19-3b)
Dafna Talmor
Untitled (GI-19-3a), & Untitled (GI-19-3b), 1919
101.6 x 50.7cm
Go easy on me, one hot pink with black stick
Adelaide Cioni
Go easy on me, one hot pink with black stick, 2024
180 x 100cm
Untitled (CO-16161616161616161616-1)
Dafna Talmor
Untitled (CO-16161616161616161616-1), 2022
106 x 55 x 4cm
Graft (Green and Blue)
Jyll Bradley
Graft (Green and Blue), 2023
168 x 11 x 11cm
Totem for Greta, red dots
Adelaide Cioni
Totem for Greta, red dots, 2022
100 x 140cm
Cordon Oblique
Jyll Bradley
Cordon Oblique, 2023
168 x 10cm
The Pleasure of Drift
Autumn Ramsey
The Pleasure of Drift, 2023
76 x 61cm
You Are My) True Form V
Adelaide Cioni
You Are My) True Form V, 2024
330 x 260cm
Untitled (CO-16161616161616-1) [Studies #4 #9 #15]
Dafna Talmor
Untitled (CO-16161616161616-1) [Studies #4 #9 #15], 2022
63.3 x 36.2 x 3.3cm
us in bed
Josiane M.H. Pozi
us in bed, 2024
32.3 x 44.6 x 3.4cm
The Light
Autumn Ramsey
The Light, 2025
122 x 91cm
me from above
Josiane M.H. Pozi
me from above, 2025
32.3 x 44.6 x 3.4cm
Untitled (CO-1616161616161616-a), Untitled (CO-1616161616161616-b), Untitled (CO-1616161616161616-c)
Dafna Talmor
Untitled (CO-1616161616161616-a), Untitled (CO-1616161616161616-b), Untitled (CO-1616161616161616-c), 2022
59 x 54 x 4cm
Graft (Green and Blue)
Jyll Bradley
Graft (Green and Blue), 2022
168 x 11 x 11cm
Fiore blu
Adelaide Cioni
Fiore blu, 2024
160 x 190cm
Untitled (0307) [Studies 1–3]
Dafna Talmor
Untitled (0307) [Studies 1–3], 2009
19 x 26cm
me in bed
Josiane M.H. Pozi
me in bed, 2024
60.7 x 84.8 x 3.4cm
Flutter
She Said
Lagos still life II
Wolfgang Tillmans
Lagos still life II, 2022
30.5 x 40.6cm
OBSIDIAN LADDER
Umbrella Work IV, 1-9
Jyll Bradley
Umbrella Work IV, 1-9, 2023
30 x 30cm
You Are My) True Form VI
Adelaide Cioni
You Are My) True Form VI, 2024
320 x 250cm
Head-back Chin-up (No No to Knock-Knockswood)
Artist
Brian Griffiths
B.1968

Brian Griffiths: Artworks
Head-back Chin-up (No No to Knock-Knockswood)
Brian Griffiths
Head-back Chin-up (No No to Knock-Knockswood), 2023
82 x 30 x 32cm
Left Left (No No to Knock-Knocks)
Brian Griffiths
Left Left (No No to Knock-Knocks), 2018
82 x 30 x 32cm
Slow Slope (No No to Knock-Knocks)
Brian Griffiths
Slow Slope (No No to Knock-Knocks), 2018
56.5 x 51 x 12cm
Sans titre
Gallery
Sans titre
Paris

Sans titre is a gallery based in Paris. It initially operated as a project space and after three years of a nomadic existence (2016 – 2019) and numerous atypical spaces occupied (private apartments, industrial spaces, parking lots, a shipyard, a few hotel rooms, restaurants, etc.), Sans titre moved into a permanent address and embraced the gallery model. It is now located 13, rue Michel Le Comte, a few steps from the Centre Pompidou, in a former Restoration-era bar, whose facade is registered as a Historic Monument. Throughout, Sans titre works to promote international artists in the early stages of their careers. Alongside organizing exhibitions in a multidisciplinary approach, the gallery publishes fanzines, produces edition and creates events related to the represented artists. ...

Unlock Price & Inquiry Access