Untitled (Eigenheim)

Carlos Reyes

Untitled (Eigenheim), 202076.2 x 30.5 x 30.5cmSign in to view price
Details
MaterialGallery
eggshell, dye, acrylic paint, lace, plasticSoft Opening
Description
Human-crafted. AI-refined.

The artwork features a towering structure composed of clear plastic cups stacked in intricate rows, with red spheres strategically placed within the arrangement. The overall composition exudes a minimalist and geometric aesthetic, utilizing the contrast between the transparent cups and the vibrant red orbs. The artist's technique showcases a meticulous and precise approach, highlighting the sculptural qualities of the everyday materials. This piece likely explores themes of consumerism, mass production, and the intersection of functionality and art within a contemporary context. ...

Similar Artworks
Prima, Nieta, Nåna: Pasifika Bailadora
Gisela McDaniel
Prima, Nieta, Nåna: Pasifika Bailadora, 2021
114.3 x 81.3 x 15.2cm
And, per se, And
Shannon Ebner
And, per se, And, 2011
225 x 84 x 62cm
Nightlife
Ad Minoliti
Nightlife, 2017
40.6 x 50.8cm
Liz Phair ‘Parasite’ Butt Cake
Gina Beavers
Liz Phair ‘Parasite’ Butt Cake, 2020
76.2 x 76.2 x 10.2cm
Seoul Bistro Fire Burger
Gina Beavers
Seoul Bistro Fire Burger, 2020
40.6 x 40.6 x 10.2cm
CHelon Tiha
Gisela McDaniel
CHelon Tiha, 2021
139.7 x 114.3 x 17.8cm
By Qiantang River
Zheng Zhou 郑洲
By Qiantang River, 2021
154 x 132cm
Untitled (adrenachrome)
Chris Dorland
Untitled (adrenachrome), 2021
172.7 x 116.8cm
SNOW DRIFT
Shannon Ebner
SNOW DRIFT, 2022
55.1 x 37.3 x 4.1cm
Untitled (cat)
Ad Minoliti
Untitled (cat), 2021
170 x 50 x 40cm
Faithful weak lady holding the pillar 弱女子的抱柱之信
Zheng Zhou 郑洲
Faithful weak lady holding the pillar 弱女子的抱柱之信, 2020
48 x 48cm
Green Crosses
Richard Aldrich
Green Crosses, 2010
38 x 29cm
Cake
Gina Beavers
Cake, 2015
40.64 x 40.64cm
Transmuting
Gisela McDaniel
Transmuting, 2022
101.6 x 132.1 x 14cm
Untitled (net runner)
Chris Dorland
Untitled (net runner), 2021
40.6 x 30.5cm
Black Box Collision A (21)
Shannon Ebner
Black Box Collision A (21), 2014
162.5 x 109cm
Untitled (user generated)
Chris Dorland
Untitled (user generated), 2024
172.7 x 116.8cm
Hug
The city
Richard Aldrich
The city, 2010
50 x 37.5cm
Best thing for me to do
Gisela McDaniel
Best thing for me to do, 2023
116.8 x 144.8 x 15.2cm
THREE FELLED TREES
Shannon Ebner
THREE FELLED TREES, 2018
101.6 x 202.8 x 0.8cm
Liz Phair ‘Parasite’ Lips
Gina Beavers
Liz Phair ‘Parasite’ Lips, 2020
76.2 x 76.2 x 10.2cm
Le long chariot Mixcoatl
Vidya Gastaldon
Le long chariot Mixcoatl, 2014
untitled (chainsplitter)
Chris Dorland
untitled (chainsplitter), 2021
CASE STUDY HOUSES 8
Ad Minoliti
CASE STUDY HOUSES 8, 2015
140 x 100cm
Remainder
Cameron Martin
Remainder, 2020
140 x 112cm
Waiting With Power Station and Swan
Hannah Quinlan & Rosie Hastings
Waiting With Power Station and Swan, 2025
42.1 x 36 x 4.7cm
Twice as good
Gisela McDaniel
Twice as good, 2023
157.5 x 121.9 x 10.2cm
octopus
Richard Aldrich
octopus, 2009
36.5 x 27.5cm
Sudden Sadness 一瞬間的憂傷
Zheng Zhou 郑洲
Sudden Sadness 一瞬間的憂傷, 2022
68 x 68cm
PROMESA (Sarah)
Artist
Carlos Reyes
B.1977, American

Through installations constructed in a variety of media ranging from glass and cedarwood to bread, velvet and foam, Carlos Reyes’ practice playfully softens the polarities separating fragility and monumentality. Reyes’ earlier works distil a sense of tenderness, often elegantly cast in orange glass yet trussed up with harsh metal armatures. Through the sensual fluidity and translucence of their forms, Reyes’ glass works threaten to liquidise and ooze onto the gallery floor. In recent installations, Reyes has displayed old treadmill belts – monuments to cyclicality, energy depletion and travel without destination – and used salvaged remnants to reassemble a Manhattan bathhouse and queer social space, recapturing a fragmented notion of the original space and exploring the contrast between absence and presence. Encapsulated by the porcupine quill found in one of Reyes’ glass works, painstakingly trapped in amber, his practice seeks to interrupt the cyclicality of time, and to use this paused moment to reflect on mass production, affection and sentimentality. ...

Carlos Reyes: Artworks
PROMESA (Sarah)
Carlos Reyes
PROMESA (Sarah), 2021
37 x 20 x 2.5cm
PROMESA (II) (saltwaterfarm)
Carlos Reyes
PROMESA (II) (saltwaterfarm), 2020
56cm ⌀107cm
PROMESA (Sarah)
Carlos Reyes
PROMESA (Sarah), 2021
37 x 20 x 2.5cm
Untitled (Eigenheim)
Carlos Reyes
Untitled (Eigenheim), 2020
76.2 x 30.48 x 30.48cm
Untitled (Eigenheim)
Carlos Reyes
Untitled (Eigenheim), 2020
76.2 x 30.5 x 30.5cm
PROMESA (Sarah)
Carlos Reyes
PROMESA (Sarah), 2021
37 x 20 x 2.5cm
PROMESA (Sarah)
Carlos Reyes
PROMESA (Sarah), 2022
37 x 20 x 2.7cm
PROMESA (Sarah)
Carlos Reyes
PROMESA (Sarah), 2022
37 x 20 x 2.5cm
Soft Opening
Gallery
Soft Opening
London

Founded in 2018 by Antonia Marsh, Soft Opening presents UK-based and international emerging contemporary artists, and often their first solo presentations in London. Focusing on work pushing the conventional limits of medium or material, the gallery presents a wide range of media and practices. Soft Opening built its early program with projects that responded to the gallery’s unique first location in Piccadilly Circus Underground Station. Opening a second space in East London in 2019 saw programming strategy develop as Soft Opening began participating in international art fairs and representing artists. Programming is now focused at this East London space. In 2020 the gallery began publishing artist monographs - the first was with Tenant of Culture in 2020 followed by Gina Fischli in 2021 and Sin Wai Kin in 2022. ...

Unlock Price & Inquiry Access