Osx with sweatshirt art by Lam How Sin

Ad Minoliti

Osx with sweatshirt art by Lam How Sin, 2019170 x 50 x 40cmSign in to view price
Details
MaterialGallery
furry mask, gloves, tail and clothes on mannequin, metal hardware, glassCrèvecoeur
Description
Human-crafted. AI-refined.

The artwork presents a whimsical and playful scene. The visual elements feature vibrant colors, including a bold green background, a soft pink fur coat, and a patterned brown skirt. The composition centers on a large, plush dog-like figure with exaggerated features, such as large blue eyes and a prominent snout. The subject matter depicts an anthropomorphized character, blending human and animal traits in an imaginative manner. The artistic style appears to be contemporary, utilizing textiles, plush materials, and graphic elements to create a visually striking and humorous portrayal. The overall context suggests a playful exploration of the boundaries between human and animal, inviting the viewer to engage with the artwork's lighthearted and imaginative nature. ...

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Ad Minoliti
Artist
Ad Minoliti
B.1980, Argentinian

Best known for her bright, colourful geometric abstractions and installations, Ad Minoliti incorporates feminist and queer theory to propose alternative interpretations of art history, design, architecture and politics. The artist combines the visual language of abstract and futuristic forms, shapes and colours with the language of liberation and queerness. The unexpected results are vibrant and playful while critical of the mainstream’s limitations on a queer body. Cofounder of the feminist art collective PintorAs, Minoliti turns exhibition spaces into bold classrooms, forming collaborations with other art practitioners to run workshops and symposiums. Her artistic practice takes real-life action in Minoliti’s quest to deconstruct canons, normativity and the established discourses. While ultimately abstract, her works create environments of inclusion that challenge the social hierarchies in art and politics in a non-abstract way. ...

Ad Minoliti: Artworks
PLAY C
Ad Minoliti
PLAY C, 2016
100 x 140cm
CASE STUDY CAT HOUSES
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CASE STUDY CAT HOUSES, 2016
40 x 40 x 40cm
CASE STUDY HOUSES 21
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CASE STUDY HOUSES 21, 2015
140 x 100cm
CASE STUDY HOUSES 22
Ad Minoliti
CASE STUDY HOUSES 22, 2015
140 x 100cm
CASE STUDY HOUSES 8
Ad Minoliti
CASE STUDY HOUSES 8, 2015
140 x 100cm
CASE STUDY HOUSES 9
Ad Minoliti
CASE STUDY HOUSES 9, 2015
140 x 100cm
QUEER FIGURES ON JUNGLE
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QUEER FIGURES ON JUNGLE, 2012
250 x 1000cm
Nightlife
Ad Minoliti
Nightlife, 2017
40.6 x 50.8cm
Hug
Play Theatre (B)
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Play Theatre (B), 2021
150 x 200cm
Play Theatre (4)
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Play Theatre (4), 2021
100 x 100cm
Space Playset 3
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Space Playset 3, 2021
150 x 180cm
Untitled (cat)
Ad Minoliti
Untitled (cat), 2021
170 x 50 x 40cm
Osx with sweatshirt art by Lam How Sin
Ad Minoliti
Osx with sweatshirt art by Lam How Sin, 2019
170 x 50 x 40cm
Geometry does not dream of labor
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Geometry does not dream of labor, 2023
145 x 185cm
The right to retire
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The right to retire, 2023
163 x 145cm
Nightlife
Ad Minoliti
Nightlife, 2017
40.6 x 50.8cm
Crèvecoeur
Gallery
Crèvecoeur
Paris, Paris

Crèvecœur, founded in 2009 by Axel Dibie (born 1981) and Alix Dionot-Morani (born 1979), located in the Belleville area (eastern Paris) has, since its creation, presented artists from France and the rest of the world whose different practices question current conditions for producing images and objects. The gallery sees itself as a body that supports its artists in the various stages of production, demonstration and dissemination of their practice. Through its work inside 3 gallery spaces — a 160 sq.m. space in Eastern Paris (20e) with natural light that can host ambitious exhibitions; and two spaces in the historic centre of Paris (7e) through the co-creation, since 2015, of a new alternative fair called Paris Internationale; through a publishing house called oe publishing books by represented and invited artists; and through support for production of the institutional shows of the represented artists, Crèvecœur is an entity which aims to adapt, in an organic way, to the challenging systems that contemporary artists experience today. ...

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