Hug

Ad Minoliti

Hug, 2021115 x 115cmPrice on Request
Details
MaterialGallery
acrylic and print on canvasCrèvecoeur
Description
Human-crafted. AI-refined.

This vibrant abstract artwork features bold, geometric shapes and vivid colors. The prominent red form resembles a fantastical creature, with yellow eyes peering out from a dark background. The overall composition is dynamic, with a balance of organic and angular elements that create a sense of movement and tension. The artist's distinctive style, characterized by simplified shapes and a striking palette, suggests an exploration of the subconscious and the realm of the imagination. This piece likely reflects the artist's intent to challenge traditional representational art and invite the viewer to interpret the symbolic meanings behind the intriguing imagery. ...

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Ad Minoliti
Artist
Ad Minoliti
B.1980, Argentinian

Best known for her bright, colourful geometric abstractions and installations, Ad Minoliti incorporates feminist and queer theory to propose alternative interpretations of art history, design, architecture and politics. The artist combines the visual language of abstract and futuristic forms, shapes and colours with the language of liberation and queerness. The unexpected results are vibrant and playful while critical of the mainstream’s limitations on a queer body. Cofounder of the feminist art collective PintorAs, Minoliti turns exhibition spaces into bold classrooms, forming collaborations with other art practitioners to run workshops and symposiums. Her artistic practice takes real-life action in Minoliti’s quest to deconstruct canons, normativity and the established discourses. While ultimately abstract, her works create environments of inclusion that challenge the social hierarchies in art and politics in a non-abstract way. ...

Ad Minoliti: Artworks
Hug
Ad MinolitiHug, 2021Price on Request
Play Theatre (B)
Ad MinolitiPlay Theatre (B), 2021Price on Request
Play Theatre (4)
Ad MinolitiPlay Theatre (4), 2021Price on Request
Space Playset 3
Ad MinolitiSpace Playset 3, 2021Price on Request
Untitled (cat)
Ad MinolitiUntitled (cat), 202134870 USD
Osx with sweatshirt art by Lam How Sin
Ad MinolitiOsx with sweatshirt art by Lam How Sin, 201934870 USD
PLAY C
Ad MinolitiPLAY C, 2016Price on Request
CASE STUDY CAT HOUSES
Ad MinolitiCASE STUDY CAT HOUSES, 2016Price on Request
CASE STUDY HOUSES 21
Ad MinolitiCASE STUDY HOUSES 21, 2015Price on Request
CASE STUDY HOUSES 22
Ad MinolitiCASE STUDY HOUSES 22, 2015Price on Request
CASE STUDY HOUSES 8
Ad MinolitiCASE STUDY HOUSES 8, 2015Price on Request
CASE STUDY HOUSES 9
Ad MinolitiCASE STUDY HOUSES 9, 2015Price on Request
QUEER FIGURES ON JUNGLE
Ad MinolitiQUEER FIGURES ON JUNGLE, 2012Price on Request
Nightlife
Ad MinolitiNightlife, 2017Price on Request
Geometry does not dream of labor
Ad MinolitiGeometry does not dream of labor, 202347500 USD
The right to retire
Ad MinolitiThe right to retire, 2023Price on Request
Nightlife
Ad MinolitiNightlife, 2017136 GBP
Crèvecoeur
Gallery
Crèvecoeur
Paris, Paris

Crèvecœur, founded in 2009 by Axel Dibie (born 1981) and Alix Dionot-Morani (born 1979), located in the Belleville area (eastern Paris) has, since its creation, presented artists from France and the rest of the world whose different practices question current conditions for producing images and objects. The gallery sees itself as a body that supports its artists in the various stages of production, demonstration and dissemination of their practice. Through its work inside 3 gallery spaces — a 160 sq.m. space in Eastern Paris (20e) with natural light that can host ambitious exhibitions; and two spaces in the historic centre of Paris (7e) through the co-creation, since 2015, of a new alternative fair called Paris Internationale; through a publishing house called oe publishing books by represented and invited artists; and through support for production of the institutional shows of the represented artists, Crèvecœur is an entity which aims to adapt, in an organic way, to the challenging systems that contemporary artists experience today. ...