Family-Unfriendly Violence (#2)
Family-Unfriendly Violence (#2)

Cassidy Toner

Family-Unfriendly Violence (#2), 202315 x 15 x 15cm3600 GBP
Details
MaterialGalleryLocation
glazed ceramicThe approachLondon
Description
Human-crafted. AI-refined.

This contemporary ceramic sculpture features a bulbous, blackened form with a unique, pitted surface texture. The irregular shape and dark, mottled coloration evoke a sense of organic decay or decomposition, while the protruding yellow appendages suggest a strange, alien-like quality. The artist's distinctive technique creates an unsettling yet visually compelling piece that invites the viewer to contemplate themes of natural cycles, impermanence, and the interplay between the familiar and the uncanny. The work's enigmatic nature and the artist's intention to challenge conventional notions of beauty contribute to its thought-provoking and captivating presence within the contemporary art landscape. ...

Similar Artworks
Cat-dog demon
Candice LinCat-dog demon, 202410000 USD
IOU
Birke GormIOU, 20212800 EUR
Family-Unfriendly Violence (#2)
Artist
Cassidy Toner
, American

Cassidy Toner: Artworks
Family-Unfriendly Violence (#2)
Cassidy TonerFamily-Unfriendly Violence (#2), 20233600 GBP
Family-Unfriendly Violence (#3)
Cassidy TonerFamily-Unfriendly Violence (#3), 20233600 GBP
Family-Unfriendly Violence (#4)
Cassidy TonerFamily-Unfriendly Violence (#4), 20243600 GBP
Family-Unfriendly Violence (#5)
Cassidy TonerFamily-Unfriendly Violence (#5), 20243600 GBP
Family-Unfriendly Violence (#6)
Cassidy TonerFamily-Unfriendly Violence (#6), 20243600 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#2), 20222700 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#3), 20222700 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#4), 20242200 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#6), 20242200 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#5), 20242200 GBP
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...