Family-Unfriendly Violence (#3)
Family-Unfriendly Violence (#3)

Cassidy Toner

Family-Unfriendly Violence (#3), 202316 x 16 x 16cmSign in to view price
Details
MaterialGallery
glazed ceramicThe approach
Description
Human-crafted. AI-refined.

This contemporary ceramic sculpture features an abstract, bulbous form in a mottled grey and black glaze. The piece has two protruding eyes and a distinctive red spiky protrusion, giving it an unusual, almost monstrous appearance. The irregular, uneven surface texture and irregular shape suggest an experimental, expressive approach to the medium. This playful, imaginative work likely reflects the artist's interest in exploring the boundaries between functional objects and abstract sculptural forms. ...

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Family-Unfriendly Violence (#2)
Artist
Cassidy Toner
American

Cassidy Toner: Artworks
Family-Unfriendly Violence (#2)
Cassidy Toner
Family-Unfriendly Violence (#2), 2023
15 x 15 x 15cm
Family-Unfriendly Violence (#3)
Cassidy Toner
Family-Unfriendly Violence (#3), 2023
16 x 16 x 16cm
Family-Unfriendly Violence (#4)
Cassidy Toner
Family-Unfriendly Violence (#4), 2024
25 x 25 x 25cm
Family-Unfriendly Violence (#5)
Cassidy Toner
Family-Unfriendly Violence (#5), 2024
25 x 25 x 25cm
Family-Unfriendly Violence (#6)
Cassidy Toner
Family-Unfriendly Violence (#6), 2024
25 x 25 x 25cm
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#2)
Cassidy Toner
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#2), 2022
18 x 8 x 2cm
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#3)
Cassidy Toner
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#3), 2022
18 x 8 x 2cm
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#4)
Cassidy Toner
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#4), 2024
10 x 5 x 1cm
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#6)
Cassidy Toner
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#6), 2024
10 x 5 x 1cm
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#5)
Cassidy Toner
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#5), 2024
10 x 5 x 1cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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