Family-Unfriendly Violence (#4)
Family-Unfriendly Violence (#4)

Cassidy Toner

Family-Unfriendly Violence (#4), 202425 x 25 x 25cm3600 GBP
Details
MaterialGalleryLocation
glazed ceramicThe approachLondon
Description
Human-crafted. AI-refined.

The artwork features an abstract, sculptural figure with a distinctive shape and texture. The dominant colors are shades of green and blue, creating a dynamic, organic appearance. The irregular, almost amorphous form suggests a sense of movement and fluidity, evoking natural elements or perhaps a fantastical creature. The artist has employed a highly expressive, experimental approach, blending various materials and techniques to produce a visually striking and imaginative piece. This contemporary sculpture invites the viewer to ponder its ambiguous subject matter and the artist's intention to challenge traditional sculptural forms. ...

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Family-Unfriendly Violence (#2)
Artist
Cassidy Toner
, American

Cassidy Toner: Artworks
Family-Unfriendly Violence (#2)
Cassidy TonerFamily-Unfriendly Violence (#2), 20233600 GBP
Family-Unfriendly Violence (#3)
Cassidy TonerFamily-Unfriendly Violence (#3), 20233600 GBP
Family-Unfriendly Violence (#4)
Cassidy TonerFamily-Unfriendly Violence (#4), 20243600 GBP
Family-Unfriendly Violence (#5)
Cassidy TonerFamily-Unfriendly Violence (#5), 20243600 GBP
Family-Unfriendly Violence (#6)
Cassidy TonerFamily-Unfriendly Violence (#6), 20243600 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#2), 20222700 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#3), 20222700 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#4), 20242200 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#6), 20242200 GBP
As a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot...
Cassidy TonerAs a sweet apple turns red on a high branch, high on the highest branch and the apple pickers forgot- well, no they didn't forget- were not able to reach" (#5), 20242200 GBP
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...