Structure for Slices

Channa Horwitz

Structure for Slices, 201055.88 x 107.95cmSign in to view price
Details
MaterialGallery
ink and pencil on mylarFrançois Ghebaly
Description
Human-crafted. AI-refined.

This minimalist artwork features a simple yet captivating composition. The predominant visual elements are clean lines and geometric shapes, creating a sense of rhythm and depth. The use of muted tones, primarily grays and whites, gives the piece a serene and understated quality. The subject matter appears to be a diagrammatic representation of intersecting planes or planes, evoking a sense of architectural or scientific exploration. The artist's distinctive technique involves precise, almost technical, draftsmanship, suggesting an interest in exploring the intersection of art, mathematics, and spatial dynamics. This work likely reflects the artist's exploration of the relationship between form, structure, and perception. ...

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Channa Horwitz
Artist
Channa Horwitz
B.1932, American

Channa Horwitz (1932-2013) was a key figure in the development of Conceptual Art and West Coast Minimalism. Though like many other female contemporaries of hers, she only received credit from the art world much later in life when she was selected for the Whitney Biennial in 2014 and created the American pavilion at the Venice Biennale in 2013. Working predominantly across canvas and paper, her geometric studies are a joy to encounter, giving elasticity and vitality to repetitive linework with their bold use of colour and handwritten inscriptions. Horwitz began her career studying graphic design in the early 1950s at Art Centre College of Design and later beginning Fine Art studies at Cal State Northbridge in the early 1960s, fusing the graphic skills acquired at the former with the experimental spirit developed at the latter. Whilst completing a BFA from the California Institute of the Arts in 1972, Horwitz studied with peers such as John Baldessari and Allan Kaprow— taking part in Kaprow’s ‘Happenings’ and hosting her own events. With a career that spanned over five decades, Horwitz continued to stretch the emotive capacities of her graphic motifs, remaining committed to the conceptual, repetitive processes which brought about each new work. ...

Channa Horwitz: Artworks
8 Sets of Moires (Rhythm of Lines Sampler)
Channa Horwitz
8 Sets of Moires (Rhythm of Lines Sampler), 1987
107.95 x 91.44cm
Sonakinatography Composition #23
Channa Horwitz
Sonakinatography Composition #23, 2011
50.8 x 71.12 x 5.08cm
Moiré (with angle motif) # 3
Channa Horwitz
Moiré (with angle motif) # 3, 1983
55.88 x 81.28cm
Moiré (with angle motif)
Channa Horwitz
Moiré (with angle motif), 1983
55.88 x 81.28cm
Moiré (with angle motif)
Channa Horwitz
Moiré (with angle motif), 1983
55.88 x 81.28cm
Matrix
Channa Horwitz
Matrix, 1983
76.2 x 53.34cm
Sonakinatography XVIII
Channa Horwitz
Sonakinatography XVIII, 2003
86.36 x 71.12cm
Sonakinatography Composition Sixteen - Sixteen Instruments
Channa Horwitz
Sonakinatography Composition Sixteen - Sixteen Instruments, 1991
Language Series II 1-5-7
Channa Horwitz
Language Series II 1-5-7, 2004
25.4 x 35.56cm
Language Series II 1-3-5
Channa Horwitz
Language Series II 1-3-5, 2004
25.4 x 35.56cm
Canon Fragment
Channa Horwitz
Canon Fragment, 1980
43.18 x 34.92cm
Structure
Channa Horwitz
Structure, 1980
58.42 x 35.56cm
Flipping Squares
Channa Horwitz
Flipping Squares, 2006
38.1 x 132.08 x 5.08cm
Language Series Il, Circles & Squares #2 of 8 (Single)
Channa Horwitz
Language Series Il, Circles & Squares #2 of 8 (Single), 2004
25.4 x 30.48cm
Variation and Inversion on a Rhythm 14 Parts #2
Channa Horwitz
Variation and Inversion on a Rhythm 14 Parts #2, 2011
23.5 x 29.21cm
Eight Structures #3
Channa Horwitz
Eight Structures #3, 1980
105.41 x 93.98cm
Round in Three Parts
Channa Horwitz
Round in Three Parts, 1977
35.56 x 35.56cm
Double Square
Rhythm of Lines 2-1
Channa Horwitz
Rhythm of Lines 2-1, 1988
76.2 x 101.6cm
Rhythm of Lines 7-6
Channa Horwitz
Rhythm of Lines 7-6, 1988
76.2 x 101.6cm
Structure for Slices
Channa Horwitz
Structure for Slices, 2010
55.88 x 107.95cm
Moiré (With Angle Motif)
Channa Horwitz
Moiré (With Angle Motif), 1984
55.88 x 81.28cm
Moiré (With Angle Motif)
Channa Horwitz
Moiré (With Angle Motif), 1983
55.88 x 81.28cm
Rhythm of Lines 5-1
Channa Horwitz
Rhythm of Lines 5-1, 1988
76.2 x 101.6cm
Language Series III
Channa Horwitz
Language Series III, 2010
28.58 x 34.29cm
Rhythm of Lines 3-7
Channa Horwitz
Rhythm of Lines 3-7, 1987
76.2 x 101.6cm
Linear Progression / Color
Channa Horwitz
Linear Progression / Color, 1984
106.5 x 81.5cm
Rhythm of Lines 5-1
Channa Horwitz
Rhythm of Lines 5-1, 1988
76 x 101.5cm
Rhythm of Lines 7-6
Channa Horwitz
Rhythm of Lines 7-6, 1988
76 x 101.5cm
François Ghebaly
Gallery
François Ghebaly
Los Angeles, New York City

Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...

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