Eight Structures #3

Channa Horwitz

Eight Structures #3, 1980105.41 x 93.98cmPrice on Request
Details
MaterialGalleryLocation
ink on graph paperFrançois GhebalyLos Angeles
Description
Human-crafted. AI-refined.

The artwork features a series of geometric, triangular shapes arranged in a vertical composition. The shapes are rendered in graphite, creating a sense of depth and dimensionality through their intricate, overlapping lines. The overall aesthetic is minimalist, emphasizing the interplay of light and shadow within the simple, abstract forms. The artist likely intended to explore concepts of spatial relationships, perspective, and the visual tension created by the juxtaposition of these elemental geometric elements. The work exemplifies the clean lines and reductive approach characteristic of Minimalist art, inviting the viewer to contemplate the nuances of form and composition. ...

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Channa Horwitz
Artist
Channa Horwitz
B.1932, American

Channa Horwitz (1932-2013) was a key figure in the development of Conceptual Art and West Coast Minimalism. Though like many other female contemporaries of hers, she only received credit from the art world much later in life when she was selected for the Whitney Biennial in 2014 and created the American pavilion at the Venice Biennale in 2013. Working predominantly across canvas and paper, her geometric studies are a joy to encounter, giving elasticity and vitality to repetitive linework with their bold use of colour and handwritten inscriptions. Horwitz began her career studying graphic design in the early 1950s at Art Centre College of Design and later beginning Fine Art studies at Cal State Northbridge in the early 1960s, fusing the graphic skills acquired at the former with the experimental spirit developed at the latter. Whilst completing a BFA from the California Institute of the Arts in 1972, Horwitz studied with peers such as John Baldessari and Allan Kaprow— taking part in Kaprow’s ‘Happenings’ and hosting her own events. With a career that spanned over five decades, Horwitz continued to stretch the emotive capacities of her graphic motifs, remaining committed to the conceptual, repetitive processes which brought about each new work. ...

Channa Horwitz: Artworks
8 Sets of Moires (Rhythm of Lines Sampler)
Channa Horwitz8 Sets of Moires (Rhythm of Lines Sampler), 1987Price on Request
Sonakinatography Composition #23
Channa HorwitzSonakinatography Composition #23, 2011Price on Request
Moiré (with angle motif) # 3
Channa HorwitzMoiré (with angle motif) # 3, 1983Price on Request
Moiré (with angle motif)
Channa HorwitzMoiré (with angle motif), 1983Price on Request
Moiré (with angle motif)
Channa HorwitzMoiré (with angle motif), 1983Price on Request
Matrix
Channa HorwitzMatrix, 1983Price on Request
Sonakinatography XVIII
Channa HorwitzSonakinatography XVIII, 2003Price on Request
Sonakinatography Composition Sixteen - Sixteen Instruments
Channa HorwitzSonakinatography Composition Sixteen - Sixteen Instruments, 1991Price on Request
Language Series II 1-5-7
Channa HorwitzLanguage Series II 1-5-7, 2004Price on Request
Language Series II 1-3-5
Channa HorwitzLanguage Series II 1-3-5, 2004Price on Request
Canon Fragment
Channa HorwitzCanon Fragment, 1980Price on Request
Structure
Channa HorwitzStructure, 1980Price on Request
Flipping Squares
Channa HorwitzFlipping Squares, 2006Price on Request
Language Series Il, Circles & Squares #2 of 8 (Single)
Channa HorwitzLanguage Series Il, Circles & Squares #2 of 8 (Single), 2004Price on Request
Variation and Inversion on a Rhythm 14 Parts #2
Channa HorwitzVariation and Inversion on a Rhythm 14 Parts #2, 2011Price on Request
Eight Structures #3
Channa HorwitzEight Structures #3, 1980Price on Request
Round in Three Parts
Channa HorwitzRound in Three Parts, 1977Price on Request
Double Square
Channa HorwitzDouble Square, 2005Price on Request
Rhythm of Lines 2-1
Channa HorwitzRhythm of Lines 2-1, 1988Price on Request
Rhythm of Lines 7-6
Channa HorwitzRhythm of Lines 7-6, 1988Price on Request
Structure for Slices
Channa HorwitzStructure for Slices, 2010Price on Request
Moiré (With Angle Motif)
Channa HorwitzMoiré (With Angle Motif), 1984Price on Request
Moiré (With Angle Motif)
Channa HorwitzMoiré (With Angle Motif), 1983Price on Request
Rhythm of Lines 5-1
Channa HorwitzRhythm of Lines 5-1, 1988Price on Request
Language Series III
Channa HorwitzLanguage Series III, 2010Price on Request
Rhythm of Lines 3-7
Channa HorwitzRhythm of Lines 3-7, 1987Price on Request
Linear Progression / Color
Channa HorwitzLinear Progression / Color, 198445000 USD
Rhythm of Lines 5-1
Channa HorwitzRhythm of Lines 5-1, 198845000 USD
Rhythm of Lines 7-6
Channa HorwitzRhythm of Lines 7-6, 198845000 USD
François Ghebaly
Gallery
François Ghebaly
Los Angeles, New York City

Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...