Untitled ("Anna, Anna")

Maria Pinińska-Bereś

Untitled ("Anna, Anna"), 195641.5 x 29.5cm8000 EUR
Details
MaterialGalleryLocation
pencil and watercolor/distemper paint on paper pencil and watercolor/distemper paint on paper; 29,5x41,5cm pencil and watercolor/distemper paint on paperThe approachLondon
Description
Human-crafted. AI-refined.

This abstract drawing appears to be a sketch of a human figure, rendered in a minimalist, ethereal style. The predominant color is a pale blue, which creates a serene, dreamlike quality. The figure is composed of fluid, gestural lines that capture a sense of movement and fluidity. Aside from the central figure, the drawing includes some additional faint sketches that suggest a symbolic or conceptual dimension. The artist's name, "Anna" is written at the bottom, providing a potential clue about the context or intention behind this work. Overall, this sketch conveys a sense of contemplation and atmospheric experimentation with the human form. ...

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Maria Pinińska-Bereś
Artist
Maria Pinińska-Bereś
1958, Polish

Polish sculptor and performance artist Maria Pinińska-Bereś (1931-1999) played an active role in shaping the artistic community of Kraków. Her sculptures initially followed the modernist trend popular among Polish artists during the Thaw, a period of de-Stalinization in the late 1950s. She gradually transformed her style and developed her own unique aesthetic in the mid-1960s, this is seen in Lady with a Bird (1964), in which she added small quilted blankets to concrete sculptures. Later, this aesthetic incorporated new materials such as paper maché, linen, burlap, leather, and plywood, and primarily used white, pink, and yellow tones, evident in her Corset and Psycho-Small-Furniture series created in the late 1960s and early 1970s. Pinińska-Bereś began exploring femininity and the various cultural oppressions experienced by women in the mid-1960s, these insights and experiences were then translated and embedded into her practice. Her art then predominantly featured pink, soft, stuffed cotton forms, as seen in her work Sea Foam-Arisen (1977), which remained consistent throughout her life. ...

Maria Pinińska-Bereś: Artworks
Dancing woman
Maria Pinińska-BereśDancing woman, 19508000 EUR
Dream
Maria Pinińska-BereśDream, 19558000 EUR
Untitled
Maria Pinińska-BereśUntitled, 19508000 EUR
Laundry II
Maria Pinińska-BereśLaundry II, 1981Price on Request
The Banner
Maria Pinińska-BereśThe Banner, 19806000 EUR
Women. Sketches for the Corsets
Maria Pinińska-BereśWomen. Sketches for the Corsets, 19578000 EUR
Untitled ("Anna, Anna")
Maria Pinińska-BereśUntitled ("Anna, Anna"), 19568000 EUR
Mme Récamier
Maria Pinińska-BereśMme Récamier, 1991Price on Request
Window and Demons II
Maria Pinińska-BereśWindow and Demons II, 199640000 EUR
Smudged With the Sky
Maria Pinińska-BereśSmudged With the Sky, 198580000 EUR
I'll Give You a Fern Flower
Maria Pinińska-BereśI'll Give You a Fern Flower, 1988120000 EUR
Window in Spring
Maria Pinińska-BereśWindow in Spring, 1976150000 EUR
Window with Small Clouds
Maria Pinińska-BereśWindow with Small Clouds, 199040000 EUR
Untitled [Vintage photograph]
Maria Pinińska-BereśUntitled [Vintage photograph], 19796000 EUR
Passage Beyond the Quilt
Maria Pinińska-BereśPassage Beyond the Quilt, 19796000 EUR
No Title [Collage, stencil prepared for 'Window with Continuum']
Maria Pinińska-BereśNo Title [Collage, stencil prepared for 'Window with Continuum'], 19914000 EUR
No Title [Study for 'Window. De-construction of the Leaning Tower'; collage]
Maria Pinińska-BereśNo Title [Study for 'Window. De-construction of the Leaning Tower'; collage], 19924000 EUR
No Title [Collage with a tube-shaped form]
Maria Pinińska-BereśNo Title [Collage with a tube-shaped form], 19904000 EUR
Window. De-Construction of the Leaning Tower
Maria Pinińska-BereśWindow. De-Construction of the Leaning Tower, 199228000 EUR
Sabbath
Maria Pinińska-BereśSabbath, 1987Price on Request
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...