This whimsical painting features a vibrant, fantastical landscape with a group of colorful, cartoonish figures engaged in what appears to be a cheerful gathering or celebration. The composition is characterized by a bold, imaginative use of color, with a predominance of warm hues like orange and red contrasted by cooler greens, blues, and grays. The figures, with their exaggerated proportions and playful poses, suggest a lighthearted, almost childlike sensibility. The overall impression is one of a surreal, dreamlike world where the boundaries between the natural and the imaginary are blurred. The artist's distinctive style and approach seem to convey a sense of wonder and delight in the limitless possibilities of the creative imagination. ...
The universe of Corentin Grossman mixes various iconographic influences, from medieval painting to popular arts, images of record sleeves, to 3D modeling products. From Jérôme Bosch to Brueghel, the Elder marked the artist, who often likes to develop compositions in which a multitude of disparate elements are arranged. If the surreal and dreamlike dimension seems obvious, his work is also anchored in reality, woven with references to current events such as the earthquake which struck Haiti in 2011, or more generally the phenomena related to globalization.
“If I refer to a local, partial, tiny, or very short reality, it is better to register it in the interdependent and infinitely complex movements of the countless elements that make up our cosmos. The ambiguity of the approach also lies in this thought, the structuring tendency of which is doomed to failure in advance. It can be a question, not without humor, of the lightest and most serious thing at the same time. Relating them to eachother, without any hierarchy, is a poetry that I like.” – Corentin Grossmann ...
To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...
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