The artwork features a sensual and intimate close-up view of a human body. The colors are warm and subdued, with hues of peach and orange dominating the composition. The overall form is soft and organic, with smooth curves and subtle details. The subject matter depicts the human form in a suggestive manner, inviting the viewer to contemplate the relationship between form, intimacy, and the human experience. The artwork appears to employ a photographic technique, capturing a moment of vulnerability and vulnerability. The artist's intention seems to explore themes of sensuality, intimacy, and the human condition. ...
The universe of Corentin Grossman mixes various iconographic influences, from medieval painting to popular arts, images of record sleeves, to 3D modeling products. From Jérôme Bosch to Brueghel, the Elder marked the artist, who often likes to develop compositions in which a multitude of disparate elements are arranged. If the surreal and dreamlike dimension seems obvious, his work is also anchored in reality, woven with references to current events such as the earthquake which struck Haiti in 2011, or more generally the phenomena related to globalization.
“If I refer to a local, partial, tiny, or very short reality, it is better to register it in the interdependent and infinitely complex movements of the countless elements that make up our cosmos. The ambiguity of the approach also lies in this thought, the structuring tendency of which is doomed to failure in advance. It can be a question, not without humor, of the lightest and most serious thing at the same time. Relating them to eachother, without any hierarchy, is a poetry that I like.” – Corentin Grossmann ...
To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...
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