The artwork "circa 1400/2025" by Danielle Dean features vibrant colors and a tapestry-like composition, combining historical and contemporary imagery. It depicts scenes reminiscent of medieval illustrations with figures engaged in various activities against a backdrop of both ancient and modern architectural elements. The style merges traditional illuminations with modern techniques, creating a complex interplay between past and present. This piece reflects Dean's exploration of identity through cultural and commercial lenses, illustrating the enduring impact of capitalism and media across time. ...
Having once worked in the advertising industry, Danielle Dean is fascinated by the ways in which capitalism, consumerism and commercialism inform our construction of identity in the contemporary moment. The artist understands the role of marketing, technology and media in shaping our desires, acting as instruments for our subjugation and oppression, and concurrently operating as potential tools for resistance and emancipation. Dean, who was born in Alabama to an English mother and Nigerian father, recognises the multiplicity of cultural and familial, intergenerational influences on our conception of self. Through painting, sculpture, video and performance, the artist simultaneously pieces together installations encompassing intricate, theatre prop-like assemblages, while stripping back the many layers of identity accumulated by contemporary beings.
Written by Goldsmiths CCA ...
Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities. ...
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