Between me and me
Details
Material
cowrie shells
Description
Human-crafted. AI-refined.

The artwork features a minimalist composition of white pebbles scattered on the floor, contrasting with the stark, grey wall. The smooth, organic forms of the pebbles create a calming and meditative atmosphere. The simplicity of the materials and the arrangement suggest a focus on the fundamental properties of the objects, inviting the viewer to contemplate the essence of the natural forms. The artist's intention may be to evoke a sense of tranquility and to encourage the viewer to slow down and appreciate the quiet beauty of the everyday. ...

Similar Artworks
A Hardcore Stomping Flashback
Jack Lavender
A Hardcore Stomping Flashback, 2015
27.5 x 20.8cm
Tired but Wired #9
Jack Lavender
Tired but Wired #9, 2021
23.5 x 19cm
Lost
Yoora Lee
Lost, 2021
30.5 x 30.5cm
Falling
Yoora Lee
Falling, 2021
30.5 x 30.5cm
Bruce
Fallen Sakura
Yoora Lee
Fallen Sakura, 2021
71.1 x 81.3cm
Hannah
Jack Lavender
Hannah, 2012
130 x 80 x 24cm
Dear Bonnie
Simone Kennedy Doig
Dear Bonnie, 2020
190 x 160cm
Inert Being
Club Pool (Elephant and Castle)
Simone Kennedy Doig
Club Pool (Elephant and Castle), 2018
240 x 185cm
Cruel Intentions
Alex Clarke
Cruel Intentions, 2022
80 x 35.6cm
Exhaust, Resonate
Harrison Pearce
Exhaust, Resonate, 2020
120 x 61 x 16.24cm
Seed
Zoë Paul
Seed, 2025
192 x 103.5 x 25cm
Find Away Eternity
Jack Lavender
Find Away Eternity, 2013
271 x 86 x 34cm
Opinel Hoard Shadow
Eddie Peake
Opinel Hoard Shadow, 2017
44 x 51cm
Long Afternoon
Yoora Lee
Long Afternoon, 2021
40.6 x 50.8cm
Deborah-Joyce Holman
Artist
Deborah-Joyce Holman
B.1991, British

Deborah Joyce Holman is a multidisciplinary artist whose work spans sculpture, text, installation, image-making and film. Through her work, Holman investigates linguistics, authorship and strategies of refusal, such as opacity, perhaps taking reference from Édouard Glissant’s notion of Opacité. She also explores the blurring of fact, fiction and truth as a means of contending with the trappings of visibility, hypervisibility and (mis)representation. Holman has been interested in the figure of the trickster, who can operate within the framework of power but does not conform to societal ‘truths’, fluidly operating in the interstices, the in-between space. Holman is also a curator, having commissioned several solo exhibitions and programmed talks, concerts, texts and DJ mixes. ...

Deborah-Joyce Holman: Artworks
Interpretation, stuttering and the partly understood
Deborah-Joyce Holman
Interpretation, stuttering and the partly understood, 2019
210 x 140.2cm
These notes are spread through ig, rtf and pages i've marked but never re-read
Deborah-Joyce Holman
These notes are spread through ig, rtf and pages i've marked but never re-read, 2018
staged but also v true
Deborah-Joyce Holman
staged but also v true, 2018
Between me and me
yesterday I cried for 3 hours, now I'm blessed tho so all good - I got myself&@s for that
Deborah-Joyce Holman
yesterday I cried for 3 hours, now I'm blessed tho so all good - I got myself&@s for that, 2018
Unlock Price & Inquiry Access