Derek Jarman

Home Counties, 198730.48 x 25.4cmPrice on Request

Details

MaterialGalleryLocation

oil and mixed media on canvasSultanaParis

Description

Human-crafted. AI-refined.

The artwork appears to be a collage composed of various discarded toy car fragments arranged on a dark background. The pieces vary in color, shape, and condition, creating a chaotic and disorderly visual composition. The work seems to explore themes of consumerism, waste, and the fragmentation of modern life through the repurposing of these mundane, mass-produced objects. The overall style is sculptural and assemblage-based, reflecting the artist's interest in found materials and their potential for creative recontextualization. This piece may comment on society's obsession with material goods and the environmental impact of a throwaway culture. ...

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Artist

Derek Jarman

B.1942, British

Derek Jarman: Artworks

Derek JarmanThree Minutes to Midnight, 1986Price on Request

Derek JarmanMen asleep are labourers and co-workers in what takes place in the world, 1983Price on Request

Derek JarmanAt the Fifth Quarter of the Globe, 1987Price on Request

Derek JarmanA PLANT, 1988Price on Request

Derek JarmanAndy, 1989Price on Request

Derek JarmanTragedy, 1992Price on Request

Derek JarmanPositive, 1992Price on Request

Derek JarmanBlackmail, 1992Price on Request

Derek JarmanAct Up, 1992Price on Request

Derek JarmanDizzy Bitch, 1993Price on Request

Derek JarmanInfection, 1993Price on Request

Derek JarmanBubble and Squeak, 1993Price on Request

Derek JarmanHome Counties, 1987Price on Request

Derek JarmanDragonfly, 1986Price on Request

Derek JarmanThe Fairest Order in the World, 1986Price on Request

Derek JarmanSleep, 1987Price on Request

Derek JarmanUntitled, 1988Price on Request

Gallery

Sultana

Paris

Founded in 2010 by Guillaume Sultana, Sultana collaborates with emerging international artists. The gallery space operates as a site for experimentation and expression, often bringing together well-established and lesser known artists through a playful, yet politically-engaged curatorial program that highlights practices concerned with questions of identity and their social ramifications. By giving space to curators and writers, in addition to artists, the gallery is committed to rethinking the traditional modes of exhibition-making and collaboration within the art world. In 2021, Sultana opened Sultana Summer Set Arles to convene artists, collectors, curators, and friends close to the gallery in a domestic and intimate space in the heart of the city. This space was conceived as a residency and site of exchange, to host projects angled toward creative freedom, reflection, and flânerie that eschews a regular programming schedule, and is organized instead according to the whims and desires of our community. These two spaces exemplify the spirit of Sultana: the desire to provide artists with an independent platform for expression via site-specific projects and curatorial propositions. ...