Qué Pasó Con El Azufre Que Botaron?/What Happened With The Sulfur They Dropped?

Eddie Rodolfo Aparicio

Qué Pasó Con El Azufre Que Botaron?/What Happened With The Sulfur They Dropped?, 2020246 x 269 x 15cmPrice on Request
Details
MaterialGalleryLocation
rubber, glazed stoneware, paint and tree residue, string, clothes approxCommonwealth and CouncilLos Angeles
Description
Human-crafted. AI-refined.

This captivating piece features a natural, weathered wooden surface as its canvas. Vibrant splashes of yellow and orange hues, reminiscent of mushrooms or fungus, are scattered across the textured bark, creating a striking contrast against the earthy tones. The composition is asymmetrical, with the clustered organic forms drawing the viewer's eye across the work. The artist has skillfully incorporated the inherent characteristics of the wood, highlighting its innate beauty and allowing the material to become an integral part of the artwork. This piece likely explores themes of the natural world, decay, and the interplay between human and ecological elements. ...

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Eddie Rodolfo Aparicio
Artist
Eddie Rodolfo Aparicio
1990

Eddie Rodolfo Aparicio’s work examines the erasure of Latinx history – facilitated by the colonialism upon which our contemporary Western geopolitical societies are built and ignoring the importance of Latinx contributions to culture, technology, and the economy – and to work towards reclaiming Latinx identity in the US and elsewhere. Aparicio works through the lens of migration, and is specifically interested in identity-construction and place-making. The artist’s sculptures are made from a range of materials, for example rubber, sulphur, wood glue, found cloths, acrylic, latex paint and cotton, but trees and their bark form the most vital part of Aparicio’s assemblages. He asserts that ‘colonial injustices have not only been directed towards humans. Environmental justice and social justice are deeply intertwined, and allowing material to be a collaborator in the works acknowledges it as a part of its own narrative.’ Aparicio creates giant draperies, like animal hides made from trees or palimpsests that communicate ancient histories of colonialism and displacement, and contemporary narratives of ecological crisis and social injustice. Written by Goldsmiths CCA ...

Eddie Rodolfo Aparicio: Artworks
Prospective Fungal Soap Dishes 1
Eddie Rodolfo AparicioProspective Fungal Soap Dishes 1, 2020Price on Request
Prospective Fungal Altar 1
Eddie Rodolfo AparicioProspective Fungal Altar 1, 2020Price on Request
El Ruido Del Bosque Sin Hojas/The Sound Of The Forest Without Leaves
Eddie Rodolfo AparicioEl Ruido Del Bosque Sin Hojas/The Sound Of The Forest Without Leaves, 2020Price on Request
Qué Pasó Con El Azufre Que Botaron?/What Happened With The Sulfur They Dropped?
Eddie Rodolfo AparicioQué Pasó Con El Azufre Que Botaron?/What Happened With The Sulfur They Dropped?, 2020Price on Request
La Ceiba Me Salvó/The Ceiba Saved Me
Eddie Rodolfo AparicioLa Ceiba Me Salvó/The Ceiba Saved Me, 2020Price on Request
Hojas De Vidrio (Volcán Guazapa)
Eddie Rodolfo AparicioHojas De Vidrio (Volcán Guazapa), 2020Price on Request
De Un Pájaro Las Dos Alas
Eddie Rodolfo AparicioDe Un Pájaro Las Dos Alas, 202420000 USD
Yucca Chips
Eddie Rodolfo AparicioYucca Chips, 201820000 USD
Commonwealth and Council
Gallery
Commonwealth and Council
Los Angeles, Mexico City

Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities.