rotor: apex impending

Elli Antoniou

rotor: apex impending, 202367 x 47cmSign in to view price
Details
Material
controlled surface abrasion on stainless steel panel
Description
Human-crafted. AI-refined.

This abstract artwork features a striking monochromatic composition in shades of grey and silver. The focal point is a swirling, organic form that dominates the frame, creating a sense of fluidity and movement. The artist has employed a technique that appears to involve manipulating the medium, possibly through pouring or dripping, to achieve the mesmerizing, ethereal effect. The overall impression is one of ethereal beauty and a contemplative, dreamlike quality, suggesting the artist's intention to evoke a emotional or philosophical response from the viewer. ...

Similar Artworks
Erogene
Fervor
Minh Lan TranFervor, 2024
200 x 180cm
Bivvy 24
Michael Andrew PageBivvy 24, 2024
86.5 x 54 x 3.5cm
Bivvy 22
Michael Andrew PageBivvy 22, 2024
150.5 x 98.5 x 3.5cm
Hollow Beach
Bivvy 25
Michael Andrew PageBivvy 25, 2024
86.5 x 54 x 3.5cm
Plummets
Nostalgia Machines
Over the fence
Bivvy 23
Michael Andrew PageBivvy 23, 2024
150 x 107.5 x 3.5cm
Actress
Boo SavilleActress, 2023
30.4 x 25.4cm
Saronic Gulf
rotor: flex impact
Artist
Elli Antoniou
B.1995

Elli Antoniou (b.1995, Birmingham, UK) is a London-based artist, who creates ‘metallic drawings’. Antoniou has devised a hybrid technique combining gestural drawing and industrial processes. She uses a range of abrasive tools to subtly alter the metallic surface, transforming its reflective and refractive properties to create metallic panels with ethereal imagery. This technique proposes scaleless fluid cosmoi in perpetual motion, where these ‘metallic drawings’ are activated by the environmental light. Her practice is a meditation on screens, delving into their profound influence on our perception of time and space. She explores the vanishing present and its nature as a moment of indefinite metamorphosis. Antoniou’s narratives mirror her view on the current digital age marked by semiotic inflation; when information and images melt into pure movement, morphing into a choreography of synthesis. As her sculptures continuously regenerate under the play of light, they become fictional screens for an unfolding parallel reality, whose world she is gradually shaping. Antoniou holds an MA Degree in Sculpture from the Royal College of Art (2018-2020), with a scholarship from NEON Organisation for Culture and Development and a BA in Fine Art & History of Art from Goldsmiths University of London (2014-2017). She has been awarded the ARTWORKS 2022-23 Fellowship by Stavros Niarchos Foundation, Greece. She has participated at the Palazzo Monti residency programme (2023), Brescia, Italy and at the Roman Road studios programme, London, U.K. (2023). Her recent exhibitions include things fall apart; the centre cannot hold, Tabula Rasa Gallery (London, 2023); _overlapping moments of a slightly present, Saigon (solo, Athens, 2021); Halls of Mirrors, PLOP (London, 2023); *pinch* to zoom, Generation & Display (London, 2023); Warm Reflections On Black Ice, Saigon & Rosa Stern Space (Munich, 2023); Excursion II, The Split Gallery (London, 2023); Recursion I, The Split Gallery (London, 2023); Doomed Companions, Unsubstantial Shades, Hellenic Residence (London, 2022, Supported by NEON Organization for Culture and Development); Moon White Moth, Saigon & PTX (Athens, 2022); Back to Athens 9: No Apocalypse Now, Isaiah Mansion (Athens, 2022); THE DEEP END, Two Thirds (Athens, 2022). ...

Unlock Price & Inquiry Access