This contemporary artwork features a series of repeated geometric patterns arranged in a grid-like structure. The composition utilizes a bold color palette, with vibrant shades of red, orange, and green contrasted against a neutral beige background. The geometric shapes, including arches, circles, and rectangles, are arranged in a symmetrical and visually striking manner, creating a sense of harmony and balance. The artist's distinctive style and technical approach, likely involving printmaking or collage techniques, result in an intricate and visually captivating piece that explores themes of repetition, pattern, and the interplay of form and color in the modern artistic tradition. ...
Emotional utterances of relinquished objects provide Page the preliminary signals for enquiry across his practice. In this case a gravity subjected, light-perforated bivvy performs as
the antithesis of the Gothic vernacular, whilst maintaining cognitive recognition regarding function.
A shielding congregational structure, covert, singular, deployable.
With primary concerns derived from the friction between contemplative abstraction and aesthetic security, Page’s work establishes formally monastic occupancy within the unity of psychophysiological and constructed perspectival space. Working closely with renaissance mathematics, Page navigates stages of manual and digital labour, meticulously rendering the purposeful material translucence. Such Lacanian mannerisms transmogrify through drawing leading to a profound yet unfamiliar proximity to the object, and that through the re- deployment of organised space, indicates mathematical abstraction.
Maintaining a cognitive state of melancholic conjecture, a conviction influenced by the readings of early modern antiquarian travellers, a coerced non-fiction is revealed within
the copiousness of Page’s research. The recognised shift in formal agenda is undeniably
a key moment in the process whereby the re-representation of aesthetic/objective fact is momentarily where mathematical systems and psychological space collide. For Page it is within the oxymoronic scrutiny of the non-real object, as often dictated through a combination of self-assertive orthogonal projections, that the illuminated objects manifest as resting points for the contemplative blissful on-looker. ...
Contemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.
