Structure de passage
Structure de passage

Minh Lan Tran

Structure de passage, 2024100 x 70cmSign in to view price
Details
MaterialGallery
paper on cotonBalice Hertling
Description
Human-crafted. AI-refined.

This minimalist artwork features a simple, rectangular composition with a predominantly white background. The subtle, textured edges of the wooden frame create a sense of depth and contrast against the flat, monochromatic surface. The central element is a small, rectangular form in a neutral, beige tone, which appears to be a subtle, textual or linguistic component integrated into the overall design. The artwork's spare, reductive style and focus on basic geometric forms and subtle tonal variations suggest an emphasis on the materiality and formal qualities of the medium, reflecting a conceptual approach typical of minimalist art. The understated, contemplative nature of the piece invites the viewer to engage with its pared-down, meditative qualities. ...

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Minh Lan Tran
Artist
Minh Lan Tran
B.1997

Minh Lan Tran's practice encompasses painting, writing, and performance, exploring the interplay and resistance between language, movement, and matter. Beginning with calligraphy, writing forms is an important foundation of her artistic process. Embracing the principles of choreography, Tran carefully distributes different intensities, resulting in compositions that embody the fluidity of physicality. Rooted in diverse traditions and histories, her art addresses themes of social unrest and channels spiritual-political expressions of protest, including self-immolations. Through the convergence of these elements, the artist prioritizes embodiment over representation. ...

Minh Lan Tran: Artworks
Magnetic potential
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Minh Lan Tran
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180 x 200cm
Reversed Entropy
Minh Lan Tran
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Fervor
Minh Lan Tran
Fervor, 2024
200 x 180cm
Structure de passage
Minh Lan Tran
Structure de passage, 2024
100 x 70cm
Erogene
No heart bone but let ir break
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No heart bone but let ir break, 2024
200 x 180cm
Balice Hertling
Gallery
Balice Hertling
Paris, Paris

Balice Hertling was founded in 2007 by Daniele Balice and Alexander Hertling. Balice Hertling has hosted the debut solo shows of many artists like Camille Blatrix, Xinyi Cheng and Isabelle Cornaro—all of whom have gone on to earn widespread recognition. From 2012 to 2016, gallery founders Daniele Balice and Alexander Hertling operated a project space in Manhattan. Returning to France in 2017, they relocated the main gallery to Paris’ Marais district and transformed the former Belleville location into a space for curated projects and shows by younger artists. Indeed, many artists represented by the gallery exemplify unique subcommunities of the emergent art world. This breadth of representation also translates to a breadth of medium, as the gallery represents painters as well as artists working in mixed media such as film, performance and sculptural objects. The gallery also represents artists whose careers are more established : British conceptual artist Stephen Willats, Syrian-born painter and sculptor Simone Fattal, and Italian artist Enzo Cucchi. In its programming and practices, Balice Hertling constantly works toward creating a more diverse and equitable art landscape. In this spirit, the gallery is proud to represent the Estate of Behjat Sadr, who was the first woman artist to be recognized as a modern master in Iran. As a result of the pandemic, the gallery co-founded « Palai » in the summer of 2021, a yearly exhibition hosting a small group of galleries from around the world, in historic locations in Lecce, a city in Italy's Puglia region. Palai is neither a curated exhibition nor a fair, it is thought to be a version of a residency, a collegial collaboration, where artists, galleries, and friends of the art world come together. In 2021 Balice Hertling relocated and brought closer both spaces in the Marais with a new main space inaugurated by a Ser Serpas scultpure solo show, and a new showroom and project space on rue de Montmorency. ...

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