Bivvy 22
Bivvy 22
Bivvy 22
Bivvy 22
Bivvy 22
Bivvy 22
Bivvy 22

Michael Andrew Page

Bivvy 22, 2024150.5 x 98.5 x 3.5cmPrice on Request
Details
MaterialGallery
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking, repetitive architectural pattern composed of arched windows and decorative elements. The vibrant colors, including green, orange, and brown tones, create a visually engaging and harmonious composition. The symmetrical arrangement and the interplay of light and shadow suggest an exploration of architectural design and its visual impact. The artist likely aimed to challenge our perceptions of space and draw attention to the inherent beauty and complexity of built environments. ...

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Bivvy 24
Artist
Michael Andrew Page
British

Emotional utterances of relinquished objects provide Page the preliminary signals for enquiry across his practice. In this case a gravity subjected, light-perforated bivvy performs as the antithesis of the Gothic vernacular, whilst maintaining cognitive recognition regarding function. A shielding congregational structure, covert, singular, deployable. With primary concerns derived from the friction between contemplative abstraction and aesthetic security, Page’s work establishes formally monastic occupancy within the unity of psychophysiological and constructed perspectival space. Working closely with renaissance mathematics, Page navigates stages of manual and digital labour, meticulously rendering the purposeful material translucence. Such Lacanian mannerisms transmogrify through drawing leading to a profound yet unfamiliar proximity to the object, and that through the re- deployment of organised space, indicates mathematical abstraction. Maintaining a cognitive state of melancholic conjecture, a conviction influenced by the readings of early modern antiquarian travellers, a coerced non-fiction is revealed within the copiousness of Page’s research. The recognised shift in formal agenda is undeniably a key moment in the process whereby the re-representation of aesthetic/objective fact is momentarily where mathematical systems and psychological space collide. For Page it is within the oxymoronic scrutiny of the non-real object, as often dictated through a combination of self-assertive orthogonal projections, that the illuminated objects manifest as resting points for the contemplative blissful on-looker. ...

Michael Andrew Page: Artworks
Bivvy 24
Michael Andrew PageBivvy 24, 2024Price on Request
Bivvy 25
Michael Andrew PageBivvy 25, 2024Price on Request
Bivvy 23
Michael Andrew PageBivvy 23, 2024Price on Request
Bivvy 21
Michael Andrew PageBivvy 21, 2024Price on Request
Bivvy 22
Michael Andrew PageBivvy 22, 2024Price on Request
Project Native Informant
Gallery
Project Native Informant
London

Contemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.